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The Count of Monte Cristo - The Cemetery of Pere-la-Chaise.

1. Marseilles -- The Arrival.

2. Father and Son.

3. The Catalans.

4. Conspiracy.

5. The Marriage-Feast.

6. The Deputy Procureur du Roi.

7. The Examination.

8. The Chateau D'If.

9. The Evening of the Betrothal.

10. The King's Closet at the Tuileries.

11. The Corsican Ogre.

12. Father and Son.

13. The Hundred Days.

14. The Two Prisoners.

15. Number 34 and Number 27.

16. A Learned Italian.

17. The Abbe's Chamber.

18. The Treasure.

19. The Third Attack.

20. The Cemetery of the Chateau D'If.

21. The Island of Tiboulen.

22. The Smugglers.

23. The Island of Monte Cristo.

24. The Secret Cave.

25. The Unknown.

26. The Pont du Gard Inn.

27. The Story.

28. The Prison Register.

29. The House of Morrel & Son.

30. The Fifth of September.

31. Italy: Sinbad the Sailor.

32. The Waking.

33. Roman Bandits.

34. The Colosseum.

35. La Mazzolata.

36. The Carnival at Rome.

37. The Catacombs of Saint Sebastian.

38. The Compact.

39. The Guests.

40. The Breakfast.

41. The Presentation.

42. Monsieur Bertuccio.

43. The House at Auteuil.

44. The Vendetta.

45. The Rain of Blood.

46. Unlimited Credit.

47. The Dappled Grays.

48. Ideology.

49. Haidee.

50. The Morrel Family.

51. Pyramus and Thisbe.

52. Toxicology.

53. Robert le Diable.

54. A Flurry in Stocks.

55. Major Cavalcanti.

56. Andrea Cavalcanti.

57. In the Lucerne Patch.

58. M. Noirtier de Villefort.

59. The Will.

60. The Telegraph.

61. How a Gardener may get rid of the Dormice that eat His Peaches

62. Ghosts.

63. The Dinner.

64. The Beggar.

65. A Conjugal Scene.

66. Matrimonial Projects.

67. At the Office of the King's Attorney.

68. A Summer Ball.

69. The Inquiry.

70. The Ball.

71. Bread and Salt.

72. Madame de Saint-Meran.

73. The Promise.

74. The Villefort Family Vault.

75. A Signed Statement.

76. Progress of Cavalcanti the Younger.

77. Haidee.

78. We hear From Yanina.

79. The Lemonade.

80. The Accusation.

81. The Room of the Retired Baker.

82. The Burglary.

83. The Hand of God.

84. Beauchamp.

85. The Journey.

86. The Trial.

87. The Challenge.

88. The Insult.

89. A Nocturnal Interview.

90. The Meeting.

91. Mother and Son.

92. The Suicide.

93. Valentine.

94. Maximilian's Avowal.

95. Father and Daughter.

96. The Contract.

97. The Departure for Belgium.

98. The Bell and Bottle Tavern.

99. The Law.

100. The Apparition.

101. Locusta.

102. Valentine.

103. Maximilian.

104. Danglars Signature.

105. The Cemetery of Pere-la-Chaise.

106. Dividing the Proceeds.

107. The Lions' Den.

108. The Judge.

109. The Assizes.

110. The Indictment.

111. Expiation.

112. The Departure.

113. The Past.

114. Peppino.

115. Luigi Vampa's Bill of Fare.

116. The Pardon.

117. The Fifth of October.

M. de Boville had indeed met the funeral procession which
was taking Valentine to her last home on earth. The weather
was dull and stormy, a cold wind shook the few remaining
yellow leaves from the boughs of the trees, and scattered
them among the crowd which filled the boulevards. M. de
Villefort, a true Parisian, considered the cemetery of
Pere-la-Chaise alone worthy of receiving the mortal remains
of a Parisian family; there alone the corpses belonging to
him would be surrounded by worthy associates. He had
therefore purchased a vault, which was quickly occupied by
members of his family. On the front of the monument was
inscribed: "The families of Saint-Meran and Villefort," for
such had been the last wish expressed by poor Renee,
Valentine's mother. The pompous procession therefore wended
its way towards Pere-la-Chaise from the Faubourg
Saint-Honore. Having crossed Paris, it passed through the
Faubourg du Temple, then leaving the exterior boulevards, it
reached the cemetery. More than fifty private carriages
followed the twenty mourning-coaches, and behind them more
than five hundred persons joined in the procession on foot.

These last consisted of all the young people whom
Valentine's death had struck like a thunderbolt, and who,
notwithstanding the raw chilliness of the season, could not
refrain from paying a last tribute to the memory of the
beautiful, chaste, and adorable girl, thus cut off in the
flower of her youth. As they left Paris, an equipage with
four horses, at full speed, was seen to draw up suddenly; it
contained Monte Cristo. The count left the carriage and
mingled in the crowd who followed on foot. Chateau-Renaud
perceived him and immediately alighting from his coupe,
joined him.

The count looked attentively through every opening in the
crowd; he was evidently watching for some one, but his
search ended in disappointment. "Where is Morrel?" he asked;
"do either of these gentlemen know where he is?"

"We have already asked that question," said Chateau-Renaud,
"for none of us has seen him." The count was silent, but
continued to gaze around him. At length they arrived at the
cemetery. The piercing eye of Monte Cristo glanced through
clusters of bushes and trees, and was soon relieved from all
anxiety, for seeing a shadow glide between the yew-trees,
Monte Cristo recognized him whom he sought. One funeral is
generally very much like another in this magnificent
metropolis. Black figures are seen scattered over the long
white avenues; the silence of earth and heaven is alone
broken by the noise made by the crackling branches of hedges
planted around the monuments; then follows the melancholy
chant of the priests, mingled now and then with a sob of
anguish, escaping from some woman concealed behind a mass of

The shadow Monte Cristo had noticed passed rapidly behind
the tomb of Abelard and Heloise, placed itself close to the
heads of the horses belonging to the hearse, and following
the undertaker's men, arrived with them at the spot
appointed for the burial. Each person's attention was
occupied. Monte Cristo saw nothing but the shadow, which no
one else observed. Twice the count left the ranks to see
whether the object of his interest had any concealed weapon
beneath his clothes. When the procession stopped, this
shadow was recognized as Morrel, who, with his coat buttoned
up to his throat, his face livid, and convulsively crushing
his hat between his fingers, leaned against a tree, situated
on an elevation commanding the mausoleum, so that none of
the funeral details could escape his observation. Everything
was conducted in the usual manner. A few men, the least
impressed of all by the scene, pronounced a discourse, some
deploring this premature death, others expatiating on the
grief of the father, and one very ingenious person quoting
the fact that Valentine had solicited pardon of her father
for criminals on whom the arm of justice was ready to fall
-- until at length they exhausted their stores of metaphor
and mournful speeches.

Monte Cristo heard and saw nothing, or rather he only saw
Morrel, whose calmness had a frightful effect on those who
knew what was passing in his heart. "See," said Beauchamp,
pointing out Morrel to Debray. "What is he doing up there?"
And they called Chateau-Renaud's attention to him.

"How pale he is!" said Chateau-Renaud, shuddering.

"He is cold," said Debray.

"Not at all," said Chateau-Renaud, slowly; "I think he is
violently agitated. He is very susceptible."

"Bah," said Debray; "he scarcely knew Mademoiselle de
Villefort; you said so yourself."

"True. Still I remember he danced three times with her at
Madame de Morcerf's. Do you recollect that ball, count,
where you produced such an effect?"

"No, I do not," replied Monte Cristo, without even knowing
of what or to whom he was speaking, so much was he occupied
in watching Morrel, who was holding his breath with emotion.
"The discourse is over; farewell, gentlemen," said the
count. And he disappeared without anyone seeing whither he
went. The funeral being over, the guests returned to Paris.
Chateau-Renaud looked for a moment for Morrel; but while
they were watching the departure of the count, Morrel had
quitted his post, and Chateau-Renaud, failing in his search,
joined Debray and Beauchamp.

Monte Cristo concealed himself behind a large tomb and
awaited the arrival of Morrel, who by degrees approached the
tomb now abandoned by spectators and workmen. Morrel threw a
glance around, but before it reached the spot occupied by
Monte Cristo the latter had advanced yet nearer, still
unperceived. The young man knelt down. The count, with
outstretched neck and glaring eyes, stood in an attitude
ready to pounce upon Morrel upon the first occasion. Morrel
bent his head till it touched the stone, then clutching the
grating with both hands, he murmured, -- "Oh, Valentine!"
The count's heart was pierced by the utterance of these two
words; he stepped forward, and touching the young man's
shoulder, said, -- "I was looking for you, my friend." Monte
Cristo expected a burst of passion, but he was deceived, for
Morrel turning round, said calmly, --

"You see I was praying." The scrutinizing glance of the
count searched the young man from head to foot. He then
seemed more easy.

"Shall I drive you back to Paris?" he asked.

"No, thank you."

"Do you wish anything?"

"Leave me to pray." The count withdrew without opposition,
but it was only to place himself in a situation where he
could watch every movement of Morrel, who at length arose,
brushed the dust from his knees, and turned towards Paris,
without once looking back. He walked slowly down the Rue de
la Roquette. The count, dismissing his carriage, followed
him about a hundred paces behind. Maximilian crossed the
canal and entered the Rue Meslay by the boulevards. Five
minutes after the door had been closed on Morrel's entrance,
it was again opened for the count. Julie was at the entrance
of the garden, where she was attentively watching Penelon,
who, entering with zeal into his profession of gardener, was
very busy grafting some Bengal roses. "Ah, count," she
exclaimed, with the delight manifested by every member of
the family whenever he visited the Rue Meslay.

"Maximilian has just returned, has he not, madame?" asked
the count.

"Yes, I think I saw him pass; but pray, call Emmanuel."

"Excuse me, madame, but I must go up to Maximilian's room
this instant," replied Monte Cristo, "I have something of
the greatest importance to tell him."

"Go, then," she said with a charming smile, which
accompanied him until he had disappeared. Monte Cristo soon
ran up the staircase conducting from the ground-floor to
Maximilian's room; when he reached the landing he listened
attentively, but all was still. Like many old houses
occupied by a single family, the room door was panelled with
glass; but it was locked, Maximilian was shut in, and it was
impossible to see what was passing in the room, because a
red curtain was drawn before the glass. The count's anxiety
was manifested by a bright color which seldom appeared on
the face of that imperturbable man.

"What shall I do!" he uttered, and reflected for a moment;
"shall I ring? No, the sound of a bell, announcing a
visitor, will but accelerate the resolution of one in
Maximilian's situation, and then the bell would be followed
by a louder noise." Monte Cristo trembled from head to foot
and as if his determination had been taken with the rapidity
of lightning, he struck one of the panes of glass with his
elbow; the glass was shivered to atoms, then withdrawing the
curtain he saw Morrel, who had been writing at his desk,
bound from his seat at the noise of the broken window.

"I beg a thousand pardons," said the count, "there is
nothing the matter, but I slipped down and broke one of your
panes of glass with my elbow. Since it is opened, I will
take advantage of it to enter your room; do not disturb
yourself -- do not disturb yourself!" And passing his hand
through the broken glass, the count opened the door. Morrel,
evidently discomposed, came to meet Monte Cristo less with
the intention of receiving him than to exclude his entry.
"Ma foi," said Monte Cristo, rubbing his elbow, "it's all
your servant's fault; your stairs are so polished, it is
like walking on glass."

"Are you hurt, sir?" coldly asked Morrel.

"I believe not. But what are you about there? You were


"Your fingers are stained with ink."

"Ah, true, I was writing. I do sometimes, soldier though I

Monte Cristo advanced into the room; Maximilian was obliged
to let him pass, but he followed him. "You were writing?"
said Monte Cristo with a searching look.

"I have already had the honor of telling you I was," said

The count looked around him. "Your pistols are beside your
desk," said Monte Cristo, pointing with his finger to the
pistols on the table.

"I am on the point of starting on a journey," replied Morrel

"My friend," exclaimed Monte Cristo in a tone of exquisite


"My friend, my dear Maximilian, do not make a hasty
resolution, I entreat you."

"I make a hasty resolution?" said Morrel, shrugging his
shoulders; "is there anything extraordinary in a journey?"

"Maximilian," said the count, "let us both lay aside the
mask we have assumed. You no more deceive me with that false
calmness than I impose upon you with my frivolous
solicitude. You can understand, can you not, that to have
acted as I have done, to have broken that glass, to have
intruded on the solitude of a friend -- you can understand
that, to have done all this, I must have been actuated by
real uneasiness, or rather by a terrible conviction. Morrel,
you are going to destroy yourself!"

"Indeed, count," said Morrel, shuddering; "what has put this
into your head?"

"I tell you that you are about to destroy yourself,"
continued the count, "and here is proof of what I say;" and,
approaching the desk, he removed the sheet of paper which
Morrel had placed over the letter he had begun, and took the
latter in his hands.

Morrel rushed forward to tear it from him, but Monte Cristo
perceiving his intention, seized his wrist with his iron
grasp. "You wish to destroy yourself," said the count; "you
have written it."

"Well," said Morrel, changing his expression of calmness for
one of violence -- "well, and if I do intend to turn this
pistol against myself, who shall prevent me -- who will dare
prevent me? All my hopes are blighted, my heart is broken,
my life a burden, everything around me is sad and mournful;
earth has become distasteful to me, and human voices
distract me. It is a mercy to let me die, for if I live I
shall lose my reason and become mad. When, sir, I tell you
all this with tears of heartfelt anguish, can you reply that
I am wrong, can you prevent my putting an end to my
miserable existence? Tell me, sir, could you have the
courage to do so?"

"Yes, Morrel," said Monte Cristo, with a calmness which
contrasted strangely with the young man's excitement; "yes,
I would do so."

"You?" exclaimed Morrel, with increasing anger and reproach
-- "you, who have deceived me with false hopes, who have
cheered and soothed me with vain promises, when I might, if
not have saved her, at least have seen her die in my arms!
You, who pretend to understand everything, even the hidden
sources of knowledge, -- and who enact the part of a
guardian angel upon earth, and could not even find an
antidote to a poison administered to a young girl! Ah, sir,
indeed you would inspire me with pity, were you not hateful
in my eyes."

"Morrel" --

"Yes; you tell me to lay aside the mask, and I will do so,
be satisfied! When you spoke to me at the cemetery, I
answered you -- my heart was softened; when you arrived
here, I allowed you to enter. But since you abuse my
confidence, since you have devised a new torture after I
thought I had exhausted them all, then, Count of Monte
Cristo my pretended benefactor -- then, Count of Monte
Cristo, the universal guardian, be satisfied, you shall
witness the death of your friend;" and Morrel, with a
maniacal laugh, again rushed towards the pistols.

"And I again repeat, you shall not commit suicide."

"Prevent me, then!" replied Morrel, with another struggle,
which, like the first, failed in releasing him from the
count's iron grasp.

"I will prevent you."

"And who are you, then, that arrogate to yourself this
tyrannical right over free and rational beings?"

"Who am I?" repeated Monte Cristo. "Listen; I am the only
man in the world having the right to say to you, `Morrel,
your father's son shall not die to-day;'" and Monte Cristo,
with an expression of majesty and sublimity, advanced with
arms folded toward the young man, who, involuntarily
overcome by the commanding manner of this man, recoiled a

"Why do you mention my father?" stammered he; "why do you
mingle a recollection of him with the affairs of today?"

"Because I am he who saved your father's life when he wished
to destroy himself, as you do to-day -- because I am the man
who sent the purse to your young sister, and the Pharaon to
old Morrel -- because I am the Edmond Dantes who nursed you,
a child, on my knees." Morrel made another step back,
staggering, breathless, crushed; then all his strength give
way, and he fell prostrate at the feet of Monte Cristo. Then
his admirable nature underwent a complete and sudden
revulsion; he arose, rushed out of the room and to the
stairs, exclaiming energetically, "Julie, Julie -- Emmanuel,

Monte Cristo endeavored also to leave, but Maximilian would
have died rather than relax his hold of the handle of the
door, which he closed upon the count. Julie, Emmanuel, and
some of the servants, ran up in alarm on hearing the cries
of Maximilian. Morrel seized their hands, and opening the
door exclaimed in a voice choked with sobs, "On your knees
-- on your knees -- he is our benefactor -- the saviour of
our father! He is" --

He would have added "Edmond Dantes," but the count seized
his arm and prevented him. Julie threw herself into the arms
of the count; Emmanuel embraced him as a guardian angel;
Morrel again fell on his knees, and struck the ground with
his forehead. Then the iron-hearted man felt his heart swell
in his breast; a flame seemed to rush from his throat to his
eyes, he bent his head and wept. For a while nothing was
heard in the room but a succession of sobs, while the
incense from their grateful hearts mounted to heaven. Julie
had scarcely recovered from her deep emotion when she rushed
out of the room, descended to the next floor, ran into the
drawing-room with childlike joy and raised the crystal globe
which covered the purse given by the unknown of the Allees
de Meillan. Meanwhile, Emmanuel in a broken voice said to
the count, "Oh, count, how could you, hearing us so often
speak of our unknown benefactor, seeing us pay such homage
of gratitude and adoration to his memory, -- how could you
continue so long without discovering yourself to us? Oh, it
was cruel to us, and -- dare I say it? -- to you also."

"Listen, my friends," said the count -- "I may call you so
since we have really been friends for the last eleven years
-- the discovery of this secret has been occasioned by a
great event which you must never know. I wish to bury it
during my whole life in my own bosom, but your brother
Maximilian wrested it from me by a violence he repents of
now, I am sure." Then turning around, and seeing that
Morrel, still on his knees, had thrown himself into an
arm-chair, be added in a low voice, pressing Emmanuel's hand
significantly, "Watch over him."

"Why so?" asked the young man, surprised.

"I cannot explain myself; but watch over him." Emmanuel
looked around the room and caught sight of the pistols; his
eyes rested on the weapons, and he pointed to them. Monte
Cristo bent his head. Emmanuel went towards the pistols.
"Leave them," said Monte Cristo. Then walking towards
Morrel, he took his hand; the tumultuous agitation of the
young man was succeeded by a profound stupor. Julie
returned, holding the silken purse in her hands, while tears
of joy rolled down her cheeks, like dewdrops on the rose.

"Here is the relic," she said; "do not think it will be less
dear to us now we are acquainted with our benefactor!"

"My child," said Monte Cristo, coloring, "allow me to take
back that purse? Since you now know my face, I wish to be
remembered alone through the affection I hope you will grant

"Oh," said Julie, pressing the purse to her heart, "no, no,
I beseech you do not take it, for some unhappy day you will
leave us, will you not?"

"You have guessed rightly, madame," replied Monte Cristo,
smiling; "in a week I shall have left this country, where so
many persons who merit the vengeance of heaven lived
happily, while my father perished of hunger and grief."
While announcing his departure, the count fixed his eyes on
Morrel, and remarked that the words, "I shall have left this
country," had failed to rouse him from his lethargy. He then
saw that he must make another struggle against the grief of
his friend, and taking the hands of Emmanuel and Julie,
which he pressed within his own, he said with the mild
authority of a father, "My kind friends, leave me alone with
Maximilian." Julie saw the means offered of carrying off her
precious relic, which Monte Cristo had forgotten. She drew
her husband to the door. "Let us leave them," she said. The
count was alone with Morrel, who remained motionless as a

"Come," said Monte-Cristo, touching his shoulder with his
finger, "are you a man again, Maximilian?"

"Yes; for I begin to suffer again."

The count frowned, apparently in gloomy hesitation.

"Maximilian, Maximilian," he said, "the ideas you yield to
are unworthy of a Christian."

"Oh, do not fear, my friend," said Morrel, raising his head,
and smiling with a sweet expression on the count; "I shall
no longer attempt my life."

"Then we are to have no more pistols -- no more despair?"

"No; I have found a better remedy for my grief than either a
bullet or a knife."

"Poor fellow, what is it?"

"My grief will kill me of itself."

"My friend," said Monte Cristo, with an expression of
melancholy equal to his own, "listen to me. One day, in a
moment of despair like yours, since it led to a similar
resolution, I also wished to kill myself; one day your
father, equally desperate, wished to kill himself too. If
any one had said to your father, at the moment he raised the
pistol to his head -- if any one had told me, when in my
prison I pushed back the food I had not tasted for three
days -- if anyone had said to either of us then, `Live --
the day will come when you will be happy, and will bless
life!' -- no matter whose voice had spoken, we should have
heard him with the smile of doubt, or the anguish of
incredulity, -- and yet how many times has your father
blessed life while embracing you -- how often have I myself"

"Ah," exclaimed Morrel, interrupting the count, "you had
only lost your liberty, my father had only lost his fortune,
but I have lost Valentine."

"Look at me," said Monte Cristo, with that expression which
sometimes made him so eloquent and persuasive -- "look at
me. There are no tears in my eyes, nor is there fever in my
veins, yet I see you suffer -- you, Maximilian, whom I love
as my own son. Well, does not this tell you that in grief,
as in life, there is always something to look forward to
beyond? Now, if I entreat, if I order you to live, Morrel,
it is in the conviction that one day you will thank me for
having preserved your life."

"Oh, heavens," said the young man, "oh, heavens -- what are
you saying, count? Take care. But perhaps you have never

"Child!" replied the count.

"I mean, as I love. You see, I have been a soldier ever
since I attained manhood. I reached the age of twenty-nine
without loving, for none of the feelings I before then
experienced merit the appellation of love. Well, at
twenty-nine I saw Valentine; for two years I have loved her,
for two years I have seen written in her heart, as in a
book, all the virtues of a daughter and wife. Count, to
possess Valentine would have been a happiness too infinite,
too ecstatic, too complete, too divine for this world, since
it has been denied me; but without Valentine the earth is

"I have told you to hope," said the count.

"Then have a care, I repeat, for you seek to persuade me,
and if you succeed I should lose my reason, for I should
hope that I could again behold Valentine." The count smiled.
"My friend, my father," said Morrel with excitement, "have a
care, I again repeat, for the power you wield over me alarms
me. Weigh your words before you speak, for my eyes have
already become brighter, and my heart beats strongly; be
cautious, or you will make me believe in supernatural
agencies. I must obey you, though you bade me call forth the
dead or walk upon the water."

"Hope, my friend," repeated the count.

"Ah," said Morrel, falling from the height of excitement to
the abyss of despair -- "ah, you are playing with me, like
those good, or rather selfish mothers who soothe their
children with honeyed words, because their screams annoy
them. No, my friend, I was wrong to caution you; do not
fear, I will bury my grief so deep in my heart, I will
disguise it so, that you shall not even care to sympathize
with me. Adieu, my friend, adieu!"

"On the contrary," said the count, "after this time you must
live with me -- you must not leave me, and in a week we
shall have left France behind us."

"And you still bid me hope?"

"I tell you to hope, because I have a method of curing you."

"Count, you render me sadder than before, if it be possible.
You think the result of this blow has been to produce an
ordinary grief, and you would cure it by an ordinary remedy
-- change of scene." And Morrel dropped his head with
disdainful incredulity. "What can I say more?" asked Monte
Cristo. "I have confidence in the remedy I propose, and only
ask you to permit me to assure you of its efficacy."

"Count, you prolong my agony."

"Then," said the count, "your feeble spirit will not even
grant me the trial I request? Come -- do you know of what
the Count of Monte Cristo is capable? do you know that he
holds terrestrial beings under his control? nay, that he can
almost work a miracle? Well, wait for the miracle I hope to
accomplish, or" --

"Or?" repeated Morrel.

"Or, take care, Morrel, lest I call you ungrateful."

"Have pity on me, count!"

"I feel so much pity towards you, Maximilian, that -- listen
to me attentively -- if I do not cure you in a month, to the
day, to the very hour, mark my words, Morrel, I will place
loaded pistols before you, and a cup of the deadliest
Italian poison -- a poison more sure and prompt than that
which has killed Valentine."

"Will you promise me?"

"Yes; for I am a man, and have suffered like yourself, and
also contemplated suicide; indeed, often since misfortune
has left me I have longed for the delights of an eternal

"But you are sure you will promise me this?" said Morrel,
intoxicated. "I not only promise, but swear it!" said Monte
Cristo extending his hand.

"In a month, then, on your honor, if I am not consoled, you
will let me take my life into my own hands, and whatever may
happen you will not call me ungrateful?"

"In a month, to the day, the very hour and the date are
sacred, Maximilian. I do not know whether you remember that
this is the 5th of September; it is ten years to-day since I
saved your father's life, who wished to die." Morrel seized
the count's hand and kissed it; the count allowed him to pay
the homage he felt due to him. "In a month you will find on
the table, at which we shall be then sitting, good pistols
and a delicious draught; but, on the other hand, you must
promise me not to attempt your life before that time."

"Oh, I also swear it!" Monte Cristo drew the young man
towards him, and pressed him for some time to his heart.
"And now," he said, "after to-day, you will come and live
with me; you can occupy Haidee's apartment, and my daughter
will at least be replaced by my son."

"Haidee?" said Morrel, "what has become of her?"

"She departed last night."

"To leave you?"

"To wait for me. Hold yourself ready then to join me at the
Champs Elysees, and lead me out of this house without any
one seeing my departure." Maximilian hung his head, and
obeyed with childlike reverence.

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