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Home -> Alexandre Dumas -> The Count of Monte Cristo -> The Departure for Belgium.

The Count of Monte Cristo - The Departure for Belgium.

1. Marseilles -- The Arrival.

2. Father and Son.

3. The Catalans.

4. Conspiracy.

5. The Marriage-Feast.

6. The Deputy Procureur du Roi.

7. The Examination.

8. The Chateau D'If.

9. The Evening of the Betrothal.

10. The King's Closet at the Tuileries.

11. The Corsican Ogre.

12. Father and Son.

13. The Hundred Days.

14. The Two Prisoners.

15. Number 34 and Number 27.

16. A Learned Italian.

17. The Abbe's Chamber.

18. The Treasure.

19. The Third Attack.

20. The Cemetery of the Chateau D'If.

21. The Island of Tiboulen.

22. The Smugglers.

23. The Island of Monte Cristo.

24. The Secret Cave.

25. The Unknown.

26. The Pont du Gard Inn.

27. The Story.

28. The Prison Register.

29. The House of Morrel & Son.

30. The Fifth of September.

31. Italy: Sinbad the Sailor.

32. The Waking.

33. Roman Bandits.

34. The Colosseum.

35. La Mazzolata.

36. The Carnival at Rome.

37. The Catacombs of Saint Sebastian.

38. The Compact.

39. The Guests.

40. The Breakfast.

41. The Presentation.

42. Monsieur Bertuccio.

43. The House at Auteuil.

44. The Vendetta.

45. The Rain of Blood.

46. Unlimited Credit.

47. The Dappled Grays.

48. Ideology.

49. Haidee.

50. The Morrel Family.

51. Pyramus and Thisbe.

52. Toxicology.

53. Robert le Diable.

54. A Flurry in Stocks.

55. Major Cavalcanti.

56. Andrea Cavalcanti.

57. In the Lucerne Patch.

58. M. Noirtier de Villefort.

59. The Will.

60. The Telegraph.

61. How a Gardener may get rid of the Dormice that eat His Peaches

62. Ghosts.

63. The Dinner.

64. The Beggar.

65. A Conjugal Scene.

66. Matrimonial Projects.

67. At the Office of the King's Attorney.

68. A Summer Ball.

69. The Inquiry.

70. The Ball.

71. Bread and Salt.

72. Madame de Saint-Meran.

73. The Promise.

74. The Villefort Family Vault.

75. A Signed Statement.

76. Progress of Cavalcanti the Younger.

77. Haidee.

78. We hear From Yanina.

79. The Lemonade.

80. The Accusation.

81. The Room of the Retired Baker.

82. The Burglary.

83. The Hand of God.

84. Beauchamp.

85. The Journey.

86. The Trial.

87. The Challenge.

88. The Insult.

89. A Nocturnal Interview.

90. The Meeting.

91. Mother and Son.

92. The Suicide.

93. Valentine.

94. Maximilian's Avowal.

95. Father and Daughter.

96. The Contract.

97. The Departure for Belgium.

98. The Bell and Bottle Tavern.

99. The Law.

100. The Apparition.

101. Locusta.

102. Valentine.

103. Maximilian.

104. Danglars Signature.

105. The Cemetery of Pere-la-Chaise.

106. Dividing the Proceeds.

107. The Lions' Den.

108. The Judge.

109. The Assizes.

110. The Indictment.

111. Expiation.

112. The Departure.

113. The Past.

114. Peppino.

115. Luigi Vampa's Bill of Fare.

116. The Pardon.

117. The Fifth of October.







A few minutes after the scene of confusion produced in the
salons of M. Danglars by the unexpected appearance of the
brigade of soldiers, and by the disclosure which had
followed, the mansion was deserted with as much rapidity as
if a case of plague or of cholera morbus had broken out
among the guests. In a few minutes, through all the doors,
down all the staircases, by every exit, every one hastened
to retire, or rather to fly; for it was a situation where
the ordinary condolences, -- which even the best friends are
so eager to offer in great catastrophes, -- were seen to be
utterly futile. There remained in the banker's house only
Danglars, closeted in his study, and making his statement to
the officer of gendarmes; Madame Danglars, terrified, in the
boudoir with which we are acquainted; and Eugenie, who with
haughty air and disdainful lip had retired to her room with
her inseparable companion, Mademoiselle Louise d'Armilly. As
for the numerous servants (more numerous that evening than
usual, for their number was augmented by cooks and butlers
from the Cafe de Paris), venting on their employers their
anger at what they termed the insult to which they had been
subjected, they collected in groups in the hall, in the
kitchens, or in their rooms, thinking very little of their
duty, which was thus naturally interrupted. Of all this
household, only two persons deserve our notice; these are
Mademoiselle Eugenie Danglars and Mademoiselle Louise
d'Armilly.

The betrothed had retired, as we said, with haughty air,
disdainful lip, and the demeanor of an outraged queen,
followed by her companion, who was paler and more disturbed
than herself. On reaching her room Eugenie locked her door,
while Louise fell on a chair. "Ah, what a dreadful thing,"
said the young musician; "who would have suspected it? M.
Andrea Cavalcanti a murderer -- a galley-slave escaped -- a
convict!" An ironical smile curled the lip of Eugenie. "In
truth I was fated," said she. "I escaped the Morcerf only to
fall into the Cavalcanti."

"Oh, do not confound the two, Eugenie."

"Hold your tongue! The men are all infamous, and I am happy
to be able now to do more than detest them -- I despise
them."

"What shall we do?" asked Louise.

"What shall we do?"

"Yes."

"Why, the same we had intended doing three days since -- set
off."

"What? -- although you are not now going to be married, you
intend still" --

"Listen, Louise. I hate this life of the fashionable world,
always ordered, measured, ruled, like our music-paper. What
I have always wished for, desired, and coveted, is the life
of an artist, free and independent, relying only on my own
resources, and accountable only to myself. Remain here? What
for? -- that they may try, a month hence, to marry me again;
and to whom? -- M. Debray, perhaps, as it was once proposed.
No, Louise, no! This evening's adventure will serve for my
excuse. I did not seek one, I did not ask for one. God sends
me this, and I hail it joyfully!"

"How strong and courageous you are!" said the fair, frail
girl to her brunette companion.

"Did you not yet know me? Come, Louise, let us talk of our
affairs. The post-chaise" --

"Was happily bought three days since."

"Have you had it sent where we are to go for it?"

"Yes."

"Our passport?"

"Here it is."

And Eugenie, with her usual precision, opened a printed
paper, and read, --

"M. Leon d'Armilly, twenty years of age; profession, artist;
hair black, eyes black; travelling with his sister."

"Capital! How did you get this passport?"

"When I went to ask M. de Monte Cristo for letters to the
directors of the theatres at Rome and Naples, I expressed my
fears of travelling as a woman; he perfectly understood
them, and undertook to procure for me a man's passport, and
two days after I received this, to which I have added with
my own hand, `travelling with his sister.'"

"Well," said Eugenie cheerfully, "we have then only to pack
up our trunks; we shall start the evening of the signing of
the contract, instead of the evening of the wedding -- that
is all."

"But consider the matter seriously, Eugenie!"

"Oh, I am done with considering! I am tired of hearing only
of market reports, of the end of the month, of the rise and
fall of Spanish funds, of Haitian bonds. Instead of that,
Louise -- do you understand? -- air, liberty, melody of
birds, plains of Lombardy, Venetian canals, Roman palaces,
the Bay of Naples. How much have we, Louise?" The young girl
to whom this question was addressed drew from an inlaid
secretary a small portfolio with a lock, in which she
counted twenty-three bank-notes.

"Twenty-three thousand francs," said she.

"And as much, at least, in pearls, diamonds, and jewels,"
said Eugenie. "We are rich. With forty-five thousand francs
we can live like princesses for two years, and comfortably
for four; but before six months -- you with your music, and
I with my voice -- we shall double our capital. Come, you
shall take charge of the money, I of the jewel-box; so that
if one of us had the misfortune to lose her treasure, the
other would still have hers left. Now, the portmanteau --
let us make haste -- the portmanteau!"

"Stop!" said Louise, going to listen at Madame Danglars'
door.

"What do you fear?"

"That we may be discovered."

"The door is locked."

"They may tell us to open it."

"They may if they like, but we will not."

"You are a perfect Amazon, Eugenie!" And the two young girls
began to heap into a trunk all the things they thought they
should require. "There now," said Eugenie, "while I change
my costume do you lock the portmanteau." Louise pressed with
all the strength of her little hands on the top of the
portmanteau. "But I cannot," said she; "I am not strong
enough; do you shut it."

"Ah, you do well to ask," said Eugenie, laughing; "I forgot
that I was Hercules, and you only the pale Omphale!" And the
young girl, kneeling on the top, pressed the two parts of
the portmanteau together, and Mademoiselle d'Armilly passed
the bolt of the padlock through. When this was done, Eugenie
opened a drawer, of which she kept the key, and took from it
a wadded violet silk travelling cloak. "Here," said she,
"you see I have thought of everything; with this cloak you
will not be cold."

"But you?"

"Oh, I am never cold, you know! Besides, with these men's
clothes" --

"Will you dress here?"

"Certainly."

"Shall you have time?"

"Do not be uneasy, you little coward! All our servants are
busy, discussing the grand affair. Besides, what is there
astonishing, when you think of the grief I ought to be in,
that I shut myself up? -- tell me!"

"No, truly -- you comfort me."

"Come and help me."

From the same drawer she took a man's complete costume, from
the boots to the coat, and a provision of linen, where there
was nothing superfluous, but every requisite. Then, with a
promptitude which indicated that this was not the first time
she had amused herself by adopting the garb of the opposite
sex, Eugenie drew on the boots and pantaloons, tied her
cravat, buttoned her waistcoat up to the throat, and put on
a coat which admirably fitted her beautiful figure. "Oh,
that is very good -- indeed, it is very good!" said Louise,
looking at her with admiration; "but that beautiful black
hair, those magnificent braids, which made all the ladies
sigh with envy, -- will they go under a man's hat like the
one I see down there?"

"You shall see," said Eugenie. And with her left hand
seizing the thick mass, which her long fingers could
scarcely grasp, she took in her right hand a pair of long
scissors, and soon the steel met through the rich and
splendid hair, which fell in a cluster at her feet as she
leaned back to keep it from her coat. Then she grasped the
front hair, which she also cut off, without expressing the
least regret; on the contrary, her eyes sparkled with
greater pleasure than usual under her ebony eyebrows. "Oh,
the magnificent hair!" said Louise, with regret.

"And am I not a hundred times better thus?" cried Eugenie,
smoothing the scattered curls of her hair, which had now
quite a masculine appearance; "and do you not think me
handsomer so?"

"Oh, you are beautiful -- always beautiful!" cried Louise.
"Now, where are you going?"

"To Brussels, if you like; it is the nearest frontier. We
can go to Brussels, Liege, Aix-la-Chapelle; then up the
Rhine to Strasburg. We will cross Switzerland, and go down
into Italy by the Saint-Gothard. Will that do?"

"Yes."

"What are you looking at?"

"I am looking at you; indeed you are adorable like that! One
would say you were carrying me off."

"And they would be right, pardieu!"

"Oh, I think you swore, Eugenie." And the two young girls,
whom every one might have thought plunged in grief, the one
on her own account, the other from interest in her friend,
burst out laughing, as they cleared away every visible trace
of the disorder which had naturally accompanied the
preparations for their escape. Then, having blown out the
lights, the two fugitives, looking and listening eagerly,
with outstretched necks, opened the door of a dressing-room
which led by a side staircase down to the yard, -- Eugenie
going first, and holding with one arm the portmanteau, which
by the opposite handle Mademoiselle d'Armilly scarcely
raised with both hands. The yard was empty; the clock was
striking twelve. The porter was not yet gone to bed. Eugenie
approached softly, and saw the old man sleeping soundly in
an arm-chair in his lodge. She returned to Louise, took up
the portmanteau, which she had placed for a moment on the
ground, and they reached the archway under the shadow of the
wall.

Eugenie concealed Louise in an angle of the gateway, so that
if the porter chanced to awake he might see but one person.
Then placing herself in the full light of the lamp which lit
the yard, -- "Gate!" cried she, with her finest contralto
voice, and rapping at the window.

The porter got up as Eugenie expected, and even advanced
some steps to recognize the person who was going out, but
seeing a young man striking his boot impatiently with his
riding-whip, he opened it immediately. Louise slid through
the half-open gate like a snake, and bounded lightly
forward. Eugenie, apparently calm, although in all
probability her heart beat somewhat faster than usual, went
out in her turn. A porter was passing and they gave him the
portmanteau; then the two young girls, having told him to
take it to No. 36, Rue de la Victoire, walked behind this
man, whose presence comforted Louise. As for Eugenie, she
was as strong as a Judith or a Delilah. They arrived at the
appointed spot. Eugenie ordered the porter to put down the
portmanteau, gave him some pieces of money, and having
rapped at the shutter sent him away. The shutter where
Eugenie had rapped was that of a little laundress, who had
been previously warned, and was not yet gone to bed. She
opened the door.

"Mademoiselle," said Eugenie, "let the porter get the
post-chaise from the coach-house, and fetch some post-horses
from the hotel. Here are five francs for his trouble."

"Indeed," said Louise, "I admire you, and I could almost say
respect you." The laundress looked on in astonishment, but
as she had been promised twenty louis, she made no remark.

In a quarter of an hour the porter returned with a post-boy
and horses, which were harnessed, and put in the post-chaise
in a minute, while the porter fastened the portmanteau on
with the assistance of a cord and strap. "Here is the
passport," said the postilion, "which way are we going,
young gentleman?"

"To Fontainebleau," replied Eugenie with an almost masculine
voice.

"What do you say?" said Louise.

"I am giving them the slip," said Eugenie; "this woman to
whom we have given twenty louis may betray us for forty; we
will soon alter our direction." And the young girl jumped
into the britzska, which was admirably arranged for sleeping
in, without scarcely touching the step. "You are always
right," said the music teacher, seating herself by the side
of her friend.

A quarter of an hour afterwards the postilion, having been
put in the right road, passed with a crack of his whip
through the gateway of the Barriere Saint-Martin. "Ah," said
Louise, breathing freely, "here we are out of Paris."

"Yes, my dear, the abduction is an accomplished fact,"
replied Eugenie. "Yes, and without violence," said Louise.

"I shall bring that forward as an extenuating circumstance,"
replied Eugenie. These words were lost in the noise which
the carriage made in rolling over the pavement of La
Villette. M. Danglars no longer had a daughter.




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