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The Count of Monte Cristo - The Lions' Den.

1. Marseilles -- The Arrival.

2. Father and Son.

3. The Catalans.

4. Conspiracy.

5. The Marriage-Feast.

6. The Deputy Procureur du Roi.

7. The Examination.

8. The Chateau D'If.

9. The Evening of the Betrothal.

10. The King's Closet at the Tuileries.

11. The Corsican Ogre.

12. Father and Son.

13. The Hundred Days.

14. The Two Prisoners.

15. Number 34 and Number 27.

16. A Learned Italian.

17. The Abbe's Chamber.

18. The Treasure.

19. The Third Attack.

20. The Cemetery of the Chateau D'If.

21. The Island of Tiboulen.

22. The Smugglers.

23. The Island of Monte Cristo.

24. The Secret Cave.

25. The Unknown.

26. The Pont du Gard Inn.

27. The Story.

28. The Prison Register.

29. The House of Morrel & Son.

30. The Fifth of September.

31. Italy: Sinbad the Sailor.

32. The Waking.

33. Roman Bandits.

34. The Colosseum.

35. La Mazzolata.

36. The Carnival at Rome.

37. The Catacombs of Saint Sebastian.

38. The Compact.

39. The Guests.

40. The Breakfast.

41. The Presentation.

42. Monsieur Bertuccio.

43. The House at Auteuil.

44. The Vendetta.

45. The Rain of Blood.

46. Unlimited Credit.

47. The Dappled Grays.

48. Ideology.

49. Haidee.

50. The Morrel Family.

51. Pyramus and Thisbe.

52. Toxicology.

53. Robert le Diable.

54. A Flurry in Stocks.

55. Major Cavalcanti.

56. Andrea Cavalcanti.

57. In the Lucerne Patch.

58. M. Noirtier de Villefort.

59. The Will.

60. The Telegraph.

61. How a Gardener may get rid of the Dormice that eat His Peaches

62. Ghosts.

63. The Dinner.

64. The Beggar.

65. A Conjugal Scene.

66. Matrimonial Projects.

67. At the Office of the King's Attorney.

68. A Summer Ball.

69. The Inquiry.

70. The Ball.

71. Bread and Salt.

72. Madame de Saint-Meran.

73. The Promise.

74. The Villefort Family Vault.

75. A Signed Statement.

76. Progress of Cavalcanti the Younger.

77. Haidee.

78. We hear From Yanina.

79. The Lemonade.

80. The Accusation.

81. The Room of the Retired Baker.

82. The Burglary.

83. The Hand of God.

84. Beauchamp.

85. The Journey.

86. The Trial.

87. The Challenge.

88. The Insult.

89. A Nocturnal Interview.

90. The Meeting.

91. Mother and Son.

92. The Suicide.

93. Valentine.

94. Maximilian's Avowal.

95. Father and Daughter.

96. The Contract.

97. The Departure for Belgium.

98. The Bell and Bottle Tavern.

99. The Law.

100. The Apparition.

101. Locusta.

102. Valentine.

103. Maximilian.

104. Danglars Signature.

105. The Cemetery of Pere-la-Chaise.

106. Dividing the Proceeds.

107. The Lions' Den.

108. The Judge.

109. The Assizes.

110. The Indictment.

111. Expiation.

112. The Departure.

113. The Past.

114. Peppino.

115. Luigi Vampa's Bill of Fare.

116. The Pardon.

117. The Fifth of October.

One division of La Force, in which the most dangerous and
desperate prisoners are confined, is called the court of
Saint-Bernard. The prisoners, in their expressive language,
have named it the "Lions' Den," probably because the
captives possess teeth which frequently gnaw the bars, and
sometimes the keepers also. It is a prison within a prison;
the walls are double the thickness of the rest. The gratings
are every day carefully examined by jailers, whose herculean
proportions and cold pitiless expression prove them to have
been chosen to reign over their subjects for their superior
activity and intelligence. The court-yard of this quarter is
enclosed by enormous walls, over which the sun glances
obliquely, when it deigns to penetrate into this gulf of
moral and physical deformity. On this paved yard are to be
seen, -- pacing to and fro from morning till night, pale,
careworn, and haggard, like so many shadows, -- the men whom
justice holds beneath the steel she is sharpening. There,
crouched against the side of the wall which attracts and
retains the most heat, they may be seen sometimes talking to
one another, but more frequently alone, watching the door,
which sometimes opens to call forth one from the gloomy
assemblage, or to throw in another outcast from society.

The court of Saint-Bernard has its own particular apartment
for the reception of guests; it is a long rectangle, divided
by two upright gratings placed at a distance of three feet
from one another to prevent a visitor from shaking hands
with or passing anything to the prisoners. It is a wretched,
damp, nay, even horrible spot, more especially when we
consider the agonizing conferences which have taken place
between those iron bars. And yet, frightful though this spot
may be, it is looked upon as a kind of paradise by the men
whose days are numbered; it is so rare for them to leave the
Lions' Den for any other place than the barrier
Saint-Jacques or the galleys!

In the court which we have attempted to describe, and from
which a damp vapor was rising, a young man with his hands in
his pockets, who had excited much curiosity among the
inhabitants of the "Den," might be seen walking. The cut of
his clothes would have made him pass for an elegant man, if
those clothes had not been torn to shreds; still they did
not show signs of wear, and the fine cloth, beneath the
careful hands of the prisoner, soon recovered its gloss in
the parts which were still perfect, for the wearer tried his
best to make it assume the appearance of a new coat. He
bestowed the same attention upon the cambric front of a
shirt, which had considerably changed in color since his
entrance into the prison, and he polished his varnished
boots with the corner of a handkerchief embroidered with
initials surmounted by a coronet. Some of the inmates of the
"Lions' Den" were watching the operations of the prisoner's
toilet with considerable interest. "See, the prince is
pluming himself," said one of the thieves. "He's a fine
looking fellow," said another; "if he had only a comb and
hair-grease, he'd take the shine off the gentlemen in white

"His coat looks almost new, and his boots shine like a
nigger's face. It's pleasant to have such well-dressed
comrades; but didn't those gendarmes behave shameful? --
must 'a been jealous, to tear such clothes!"

"He looks like a big-bug," said another; "dresses in fine
style. And, then, to be here so young! Oh, what larks!"
Meanwhile the object of this hideous admiration approached
the wicket, against which one of the keepers was leaning.
"Come, sir," he said, "lend me twenty francs; you will soon
be paid; you run no risks with me. Remember, I have
relations who possess more millions than you have deniers.
Come, I beseech you, lend me twenty francs, so that I may
buy a dressing-gown; it is intolerable always to be in a
coat and boots! And what a coat, sir, for a prince of the
Cavalcanti!" The keeper turned his back, and shrugged his
shoulders; he did not even laugh at what would have caused
any one else to do so; he had heard so many utter the same
things, -- indeed, he heard nothing else.

"Come," said Andrea, "you are a man void of compassion; I'll
have you turned out." This made the keeper turn around, and
he burst into a loud laugh. The prisoners then approached
and formed a circle. "I tell you that with that wretched
sum," continued Andrea, "I could obtain a coat, and a room
in which to receive the illustrious visitor I am daily

"Of course -- of course," said the prisoners; -- "any one
can see he's a gentleman!"

"Well, then, lend him the twenty francs," said the keeper,
leaning on the other shoulder; "surely you will not refuse a

"I am no comrade of these people," said the young man,
proudly, "you have no right to insult me thus."

The thieves looked at one another with low murmurs, and a
storm gathered over the head of the aristocratic prisoner,
raised less by his own words than by the manner of the
keeper. The latter, sure of quelling the tempest when the
waves became too violent, allowed them to rise to a certain
pitch that he might be revenged on the importunate Andrea,
and besides it would afford him some recreation during the
long day. The thieves had already approached Andrea, some
screaming, "La savate -- La savate!"* a cruel operation,
which consists in cuffing a comrade who may have fallen into
disgrace, not with an old shoe, but with an iron-heeled one.
Others proposed the "anguille," another kind of recreation,
in which a handkerchief is filled with sand, pebbles, and
two-sous pieces, when they have them, which the wretches
beat like a flail over the head and shoulders of the unhappy
sufferer. "Let us horsewhip the fine gentleman!" said

* Savate: an old shoe.

But Andrea, turning towards them, winked his eyes, rolled
his tongue around his cheeks, and smacked his lips in a
manner equivalent to a hundred words among the bandits when
forced to be silent. It was a Masonic sign Caderousse had
taught him. He was immediately recognized as one of them;
the handkerchief was thrown down, and the iron-heeled shoe
replaced on the foot of the wretch to whom it belonged. Some
voices were heard to say that the gentleman was right; that
he intended to be civil, in his way, and that they would set
the example of liberty of conscience, -- and the mob
retired. The keeper was so stupefied at this scene that he
took Andrea by the hands and began examining his person,
attributing the sudden submission of the inmates of the
Lions' Den to something more substantial than mere
fascination. Andrea made no resistance, although he
protested against it. Suddenly a voice was heard at the
wicket. "Benedetto!" exclaimed an inspector. The keeper
relaxed his hold. "I am called," said Andrea. "To the
visitors' room!" said the same voice.

"You see some one pays me a visit. Ah, my dear sir, you will
see whether a Cavalcanti is to be treated like a common
person!" And Andrea, gliding through the court like a black
shadow, rushed out through the wicket, leaving his comrades,
and even the keeper, lost in wonder. Certainly a call to the
visitors' room had scarcely astonished Andrea less than
themselves, for the wily youth, instead of making use of his
privilege of waiting to be claimed on his entry into La
Force, had maintained a rigid silence. "Everything," he
said, "proves me to be under the protection of some powerful
person, -- this sudden fortune, the facility with which I
have overcome all obstacles, an unexpected family and an
illustrious name awarded to me, gold showered down upon me,
and the most splendid alliances about to be entered into. An
unhappy lapse of fortune and the absence of my protector
have cast me down, certainly, but not forever. The hand
which has retreated for a while will be again stretched
forth to save me at the very moment when I shall think
myself sinking into the abyss. Why should I risk an
imprudent step? It might alienate my protector. He has two
means of extricating me from this dilemma, -- the one by a
mysterious escape, managed through bribery; the other by
buying off my judges with gold. I will say and do nothing
until I am convinced that he has quite abandoned me, and
then" --

Andrea had formed a plan which was tolerably clever. The
unfortunate youth was intrepid in the attack, and rude in
the defence. He had borne with the public prison, and with
privations of all sorts; still, by degrees nature, or rather
custom, had prevailed, and he suffered from being naked,
dirty, and hungry. It was at this moment of discomfort that
the inspector's voice called him to the visiting-room.
Andrea felt his heart leap with joy. It was too soon for a
visit from the examining magistrate, and too late for one
from the director of the prison, or the doctor; it must,
then, be the visitor he hoped for. Behind the grating of the
room into which Andrea had been led, he saw, while his eyes
dilated with surprise, the dark and intelligent face of M.
Bertuccio, who was also gazing with sad astonishment upon
the iron bars, the bolted doors, and the shadow which moved
behind the other grating.

"Ah," said Andrea, deeply affected.

"Good morning, Benedetto," said Bertuccio, with his deep,
hollow voice.

"You -- you?" said the young man, looking fearfully around

"Do you not recognize me, unhappy child?"

"Silence, -- be silent!" said Andrea, who knew the delicate
sense of hearing possessed by the walls; "for heaven's sake,
do not speak so loud!"

"You wish to speak with me alone, do you not?" said

"Oh, yes."

"That is well." And Bertuccio, feeling in his pocket, signed
to a keeper whom he saw through the window of the wicket.

"Read?" he said.

"What is that?" asked Andrea.

"An order to conduct you to a room, and to leave you there
to talk to me."

"Oh," cried Andrea, leaping with joy. Then he mentally
added, -- "Still my unknown protector! I am not forgotten.
They wish for secrecy, since we are to converse in a private
room. I understand, Bertuccio has been sent by my

The keeper spoke for a moment with an official, then opened
the iron gates and conducted Andrea to a room on the first
floor. The room was whitewashed, as is the custom in
prisons, but it looked quite brilliant to a prisoner, though
a stove, a bed, a chair, and a table formed the whole of its
sumptuous furniture. Bertuccio sat down upon the chair,
Andrea threw himself upon the bed; the keeper retired.

"Now," said the steward, "what have you to tell me?"

"And you?" said Andrea.

"You speak first."

"Oh, no. You must have much to tell me, since you have come
to seek me."

"Well, be it so. You have continued your course of villany;
you have robbed -- you have assassinated."

"Well, I should say! If you had me taken to a private room
only to tell me this, you might have saved yourself the
trouble. I know all these things. But there are some with
which, on the contrary, I am not acquainted. Let us talk of
those, if you please. Who sent you?"

"Come, come, you are going on quickly, M. Benedetto!"

"Yes, and to the point. Let us dispense with useless words.
Who sends you?"

"No one."

"How did you know I was in prison?"

"I recognized you, some time since, as the insolent dandy
who so gracefully mounted his horse in the Champs Elysees."

"Oh, the Champs Elysees? Ah, yes; we burn, as they say at
the game of pincette. The Champs Elysees? Come, let us talk
a little about my father."

"Who, then, am I?"

"You, sir? -- you are my adopted father. But it was not you,
I presume, who placed at my disposal 100,000 francs, which I
spent in four or five months; it was not you who
manufactured an Italian gentleman for my father; it was not
you who introduced me into the world, and had me invited to
a certain dinner at Auteuil, which I fancy I am eating at
this moment, in company with the most distinguished people
in Paris -- amongst the rest with a certain procureur, whose
acquaintance I did very wrong not to cultivate, for he would
have been very useful to me just now; -- it was not you, in
fact, who bailed me for one or two millions, when the fatal
discovery of my little secret took place. Come, speak, my
worthy Corsican, speak!"

"What do you wish me to say?"

"I will help you. You were speaking of the Champs Elysees
just now, worthy foster-father."


"Well, in the Champs Elysees there resides a very rich

"At whose house you robbed and murdered, did you not?"

"I believe I did."

"The Count of Monte Cristo?"

"'Tis you who have named him, as M. Racine says. Well, am I
to rush into his arms, and strain him to my heart, crying,
`My father, my father!' like Monsieur Pixerecourt."*

"Do not let us jest," gravely replied Bertuccio, "and dare
not to utter that name again as you have pronounced it."

* Guilbert de Pixerecourt, French dramatist (1775-1844).

"Bah," said Andrea, a little overcome, by the solemnity of
Bertuccio's manner, "why not?"

"Because the person who bears it is too highly favored by
heaven to be the father of such a wretch as you."

"Oh, these are fine words."

"And there will be fine doings, if you do not take care."

"Menaces -- I do not fear them. I will say" --

"Do you think you are engaged with a pygmy like yourself?"
said Bertuccio, in so calm a tone, and with so steadfast a
look, that Andrea was moved to the very soul. "Do you think
you have to do with galley-slaves, or novices in the world?
Benedetto, you are fallen into terrible hands; they are
ready to open for you -- make use of them. Do not play with
the thunderbolt they have laid aside for a moment, but which
they can take up again instantly, if you attempt to
intercept their movements."

"My father -- I will know who my father is," said the
obstinate youth; "I will perish if I must, but I will know
it. What does scandal signify to me? What possessions, what
reputation, what `pull,' as Beauchamp says, -- have I? You
great people always lose something by scandal,
notwithstanding your millions. Come, who is my father?"

"I came to tell you."

"Ah," cried Benedetto, his eyes sparkling with joy. Just
then the door opened, and the jailer, addressing himself to
Bertuccio, said, -- "Excuse me, sir, but the examining
magistrate is waiting for the prisoner."

"And so closes our interview," said Andrea to the worthy
steward; "I wish the troublesome fellow were at the devil!"

"I will return to-morrow," said Bertuccio.

"Good! Gendarmes, I am at your service. Ah, sir, do leave a
few crowns for me at the gate that I may have some things I
am in need of!"

"It shall be done," replied Bertuccio. Andrea extended his
hand; Bertuccio kept his own in his pocket, and merely
jingled a few pieces of money. "That's what I mean," said
Andrea, endeavoring to smile, quite overcome by the strange
tranquillity of Bertuccio. "Can I be deceived?" he murmured,
as he stepped into the oblong and grated vehicle which they
call "the salad basket." "Never mind, we shall see!
To-morrow, then!" he added, turning towards Bertuccio.

"To-morrow!" replied the steward.

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