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Home -> Alexandre Dumas -> The Count of Monte Cristo -> The Colosseum.

The Count of Monte Cristo - The Colosseum.

1. Marseilles -- The Arrival.

2. Father and Son.

3. The Catalans.

4. Conspiracy.

5. The Marriage-Feast.

6. The Deputy Procureur du Roi.

7. The Examination.

8. The Chateau D'If.

9. The Evening of the Betrothal.

10. The King's Closet at the Tuileries.

11. The Corsican Ogre.

12. Father and Son.

13. The Hundred Days.

14. The Two Prisoners.

15. Number 34 and Number 27.

16. A Learned Italian.

17. The Abbe's Chamber.

18. The Treasure.

19. The Third Attack.

20. The Cemetery of the Chateau D'If.

21. The Island of Tiboulen.

22. The Smugglers.

23. The Island of Monte Cristo.

24. The Secret Cave.

25. The Unknown.

26. The Pont du Gard Inn.

27. The Story.

28. The Prison Register.

29. The House of Morrel & Son.

30. The Fifth of September.

31. Italy: Sinbad the Sailor.

32. The Waking.

33. Roman Bandits.

34. The Colosseum.

35. La Mazzolata.

36. The Carnival at Rome.

37. The Catacombs of Saint Sebastian.

38. The Compact.

39. The Guests.

40. The Breakfast.

41. The Presentation.

42. Monsieur Bertuccio.

43. The House at Auteuil.

44. The Vendetta.

45. The Rain of Blood.

46. Unlimited Credit.

47. The Dappled Grays.

48. Ideology.

49. Haidee.

50. The Morrel Family.

51. Pyramus and Thisbe.

52. Toxicology.

53. Robert le Diable.

54. A Flurry in Stocks.

55. Major Cavalcanti.

56. Andrea Cavalcanti.

57. In the Lucerne Patch.

58. M. Noirtier de Villefort.

59. The Will.

60. The Telegraph.

61. How a Gardener may get rid of the Dormice that eat His Peaches

62. Ghosts.

63. The Dinner.

64. The Beggar.

65. A Conjugal Scene.

66. Matrimonial Projects.

67. At the Office of the King's Attorney.

68. A Summer Ball.

69. The Inquiry.

70. The Ball.

71. Bread and Salt.

72. Madame de Saint-Meran.

73. The Promise.

74. The Villefort Family Vault.

75. A Signed Statement.

76. Progress of Cavalcanti the Younger.

77. Haidee.

78. We hear From Yanina.

79. The Lemonade.

80. The Accusation.

81. The Room of the Retired Baker.

82. The Burglary.

83. The Hand of God.

84. Beauchamp.

85. The Journey.

86. The Trial.

87. The Challenge.

88. The Insult.

89. A Nocturnal Interview.

90. The Meeting.

91. Mother and Son.

92. The Suicide.

93. Valentine.

94. Maximilian's Avowal.

95. Father and Daughter.

96. The Contract.

97. The Departure for Belgium.

98. The Bell and Bottle Tavern.

99. The Law.

100. The Apparition.

101. Locusta.

102. Valentine.

103. Maximilian.

104. Danglars Signature.

105. The Cemetery of Pere-la-Chaise.

106. Dividing the Proceeds.

107. The Lions' Den.

108. The Judge.

109. The Assizes.

110. The Indictment.

111. Expiation.

112. The Departure.

113. The Past.

114. Peppino.

115. Luigi Vampa's Bill of Fare.

116. The Pardon.

117. The Fifth of October.

Franz had so managed his route, that during the ride to the
Colosseum they passed not a single ancient ruin, so that no
preliminary impression interfered to mitigate the colossal
proportions of the gigantic building they came to admire.
The road selected was a continuation of the Via Sistina;
then by cutting off the right angle of the street in which
stands Santa Maria Maggiore and proceeding by the Via Urbana
and San Pietro in Vincoli, the travellers would find
themselves directly opposite the Colosseum. This itinerary
possessed another great advantage, -- that of leaving Franz
at full liberty to indulge his deep reverie upon the subject
of Signor Pastrini's story, in which his mysterious host of
Monte Cristo was so strangely mixed up. Seated with folded
arms in a corner of the carriage, he continued to ponder
over the singular history he had so lately listened to, and
to ask himself an interminable number of questions touching
its various circumstances without, however, arriving at a
satisfactory reply to any of them. One fact more than the
rest brought his friend "Sinbad the Sailor" back to his
recollection, and that was the mysterious sort of intimacy
that seemed to exist between the brigands and the sailors;
and Pastrini's account of Vampa's having found refuge on
board the vessels of smugglers and fishermen, reminded Franz
of the two Corsican bandits he had found supping so amicably
with the crew of the little yacht, which had even deviated
from its course and touched at Porto-Vecchio for the sole
purpose of landing them. The very name assumed by his host
of Monte Cristo and again repeated by the landlord of the
Hotel de Londres, abundantly proved to him that his island
friend was playing his philanthropic part on the shores of
Piombino, Civita-Vecchio, Ostia, and Gaeta, as on those of
Corsica, Tuscany, and Spain; and further, Franz bethought
him of having heard his singular entertainer speak both of
Tunis and Palermo, proving thereby how largely his circle of
acquaintances extended.

But however the mind of the young man might be absorbed in
these reflections, they were at once dispersed at the sight
of the dark frowning ruins of the stupendous Colosseum,
through the various openings of which the pale moonlight
played and flickered like the unearthly gleam from the eyes
of the wandering dead. The carriage stopped near the Meta
Sudans; the door was opened, and the young men, eagerly
alighting, found themselves opposite a cicerone, who
appeared to have sprung up from the ground, so unexpected
was his appearance.

The usual guide from the hotel having followed them, they
had paid two conductors, nor is it possible, at Rome, to
avoid this abundant supply of guides; besides the ordinary
cicerone, who seizes upon you directly you set foot in your
hotel, and never quits you while you remain in the city,
there is also a special cicerone belonging to each monument
-- nay, almost to each part of a monument. It may,
therefore, be easily imagined there is no scarcity of guides
at the Colosseum, that wonder of all ages, which Martial
thus eulogizes: "Let Memphis cease to boast the barbarous
miracles of her pyramids, and the wonders of Babylon be
talked of no more among us; all must bow to the superiority
of the gigantic labor of the Caesars, and the many voices of
Fame spread far and wide the surpassing merits of this
incomparable monument."

As for Albert and Franz, they essayed not to escape from
their ciceronian tyrants; and, indeed, it would have been so
much the more difficult to break their bondage, as the
guides alone are permitted to visit these monuments with
torches in their hands. Thus, then, the young men made no
attempt at resistance, but blindly and confidingly
surrendered themselves into the care and custody of their
conductors. Albert had already made seven or eight similar
excursions to the Colosseum, while his less favored
companion trod for the first time in his life the classic
ground forming the monument of Flavius Vespasian; and, to
his credit be it spoken, his mind, even amid the glib
loquacity of the guides, was duly and deeply touched with
awe and enthusiastic admiration of all he saw; and certainly
no adequate notion of these stupendous ruins can be formed
save by such as have visited them, and more especially by
moonlight, at which time the vast proportions of the
building appear twice as large when viewed by the mysterious
beams of a southern moonlit sky, whose rays are sufficiently
clear and vivid to light the horizon with a glow equal to
the soft twilight of an eastern clime. Scarcely, therefore,
had the reflective Franz walked a hundred steps beneath the
interior porticoes of the ruin, than, abandoning Albert to
the guides (who would by no means yield their prescriptive
right of carrying their victims through the routine
regularly laid down, and as regularly followed by them, but
dragged the unconscious visitor to the various objects with
a pertinacity that admitted of no appeal, beginning, as a
matter of course, with the Lions' Den, and finishing with
Caesar's "Podium,"), to escape a jargon and mechanical
survey of the wonders by which he was surrounded, Franz
ascended a half-dilapidated staircase, and, leaving them to
follow their monotonous round, seated himself at the foot of
a column, and immediately opposite a large aperture, which
permitted him to enjoy a full and undisturbed view of the
gigantic dimensions of the majestic ruin.

Franz had remained for nearly a quarter of an hour perfectly
hidden by the shadow of the vast column at whose base he had
found a resting-place, and from whence his eyes followed the
motions of Albert and his guides, who, holding torches in
their hands, had emerged from a vomitarium at the opposite
extremity of the Colosseum, and then again disappeared down
the steps conducting to the seats reserved for the Vestal
virgins, resembling, as they glided along, some restless
shades following the flickering glare of so many
ignes-fatui. All at once his ear caught a sound resembling
that of a stone rolling down the staircase opposite the one
by which he had himself ascended. There was nothing
remarkable in the circumstance of a fragment of granite
giving way and falling heavily below; but it seemed to him
that the substance that fell gave way beneath the pressure
of a foot, and also that some one, who endeavored as much as
possible to prevent his footsteps from being heard, was
approaching the spot where he sat. Conjecture soon became
certainty, for the figure of a man was distinctly visible to
Franz, gradually emerging from the staircase opposite, upon
which the moon was at that moment pouring a full tide of
silvery brightness.

The stranger thus presenting himself was probably a person
who, like Franz, preferred the enjoyment of solitude and his
own thoughts to the frivolous gabble of the guides. And his
appearance had nothing extraordinary in it; but the
hesitation with which he proceeded, stopping and listening
with anxious attention at every step he took, convinced
Franz that he expected the arrival of some person. By a sort
of instinctive impulse, Franz withdrew as much as possible
behind his pillar. About ten feet from the spot where he and
the stranger were, the roof had given way, leaving a large
round opening, through which might be seen the blue vault of
heaven, thickly studded with stars. Around this opening,
which had, possibly, for ages permitted a free entrance to
the brilliant moonbeams that now illumined the vast pile,
grew a quantity of creeping plants, whose delicate green
branches stood out in bold relief against the clear azure of
the firmament, while large masses of thick, strong fibrous
shoots forced their way through the chasm, and hung floating
to and fro, like so many waving strings. The person whose
mysterious arrival had attracted the attention of Franz
stood in a kind of half-light, that rendered it impossible
to distinguish his features, although his dress was easily
made out. He wore a large brown mantle, one fold of which,
thrown over his left shoulder, served likewise to mask the
lower part of his countenance, while the upper part was
completely hidden by his broad-brimmed hat. The lower part
of his dress was more distinctly visible by the bright rays
of the moon, which, entering through the broken ceiling,
shed their refulgent beams on feet cased in elegantly made
boots of polished leather, over which descended fashionably
cut trousers of black cloth.

From the imperfect means Franz had of judging, he could only
come to one conclusion, -- that the person whom he was thus
watching certainly belonged to no inferior station of life.
Some few minutes had elapsed, and the stranger began to show
manifest signs of impatience, when a slight noise was heard
outside the aperture in the roof, and almost immediately a
dark shadow seemed to obstruct the flood of light that had
entered it, and the figure of a man was clearly seen gazing
with eager scrutiny on the immense space beneath him; then,
as his eye caught sight of him in the mantle, he grasped a
floating mass of thickly matted boughs, and glided down by
their help to within three or four feet of the ground, and
then leaped lightly on his feet. The man who had performed
this daring act with so much indifference wore the
Transtevere costume. "I beg your excellency's pardon for
keeping you waiting," said the man, in the Roman dialect,
"but I don't think I'm many minutes after my time, ten
o'clock his just struck on the Lateran."

"Say not a word about being late," replied the stranger in
purest Tuscan; "'tis I who am too soon. But even if you had
caused me to wait a little while, I should have felt quite
sure that the delay was not occasioned by any fault of

"Your excellency is perfectly right in so thinking," said
the man; "I came here direct from the Castle of St. Angelo,
and I had an immense deal of trouble before I could get a
chance to speak to Beppo."

"And who is Beppo?"

"Oh, Beppo is employed in the prison, and I give him so much
a year to let me know what is going on within his holiness's

"Indeed! You are a provident person, I see."

"Why, you see, no one knows what may happen. Perhaps some of
these days I may be entrapped, like poor Peppino and may be
very glad to have some little nibbling mouse to gnaw the
meshes of my net, and so help me out of prison."

"Briefly, what did you glean?"

"That two executions of considerable interest will take
place the day after to-morrow at two o'clock, as is
customary at Rome at the commencement of all great
festivals. One of the culprits will be mazzolato;* he is an
atrocious villain, who murdered the priest who brought him
up, and deserves not the smallest pity. The other sufferer
is sentenced to be decapitato;** and he, your excellency, is
poor Peppino."

* Knocked on the head.
** Beheaded.

"The fact is, that you have inspired not only the pontifical
government, but also the neighboring states, with such
extreme fear, that they are glad of all opportunity of
making an example."

"But Peppino did not even belong to my band: he was merely a
poor shepherd, whose only crime consisted in furnishing us
with provisions."

"Which makes him your accomplice to all intents and
purposes. But mark the distinction with which he is treated;
instead of being knocked on the head as you would be if once
they caught hold of you, he is simply sentenced to be
guillotined, by which means, too, the amusements of the day
are diversified, and there is a spectacle to please every

"Without reckoning the wholly unexpected one I am preparing
to surprise them with."

"My good friend," said the man in the cloak, "excuse me for
saying that you seem to me precisely in the mood to commit
some wild or extravagant act."

"Perhaps I am; but one thing I have resolved on, and that
is, to stop at nothing to restore a poor devil to liberty,
who has got into this scrape solely from having served me. I
should hate and despise myself as a coward did I desert the
brave fellow in his present extremity."

"And what do you mean to do?"

"To surround the scaffold with twenty of my best men, who,
at a signal from me, will rush forward directly Peppino is
brought for execution, and, by the assistance of their
stilettos, drive back the guard, and carry off the

"That seems to me as hazardous as uncertain, and convinces
me that my scheme is far better than yours."

"And what is your excellency's project?"

"Just this. I will so advantageously bestow 2,000 piastres,
that the person receiving them shall obtain a respite till
next year for Peppino; and during that year, another
skilfully placed 1,000 piastres will afford him the means of
escaping from his prison."

"And do you feel sure of succeeding?"

"Pardieu!" exclaimed the man in the cloak, suddenly
expressing himself in French.

"What did your excellency say?" inquired the other.

"I said, my good fellow, that I would do more single-handed
by the means of gold than you and all your troop could
effect with stilettos, pistols, carbines, and blunderbusses
included. Leave me, then, to act, and have no fears for the

"At least, there can be no harm in myself and party being in
readiness, in case your excellency should fail."

"None whatever. Take what precautions you please, if it is
any satisfaction to you to do so; but rely upon my obtaining
the reprieve I seek."

"Remember, the execution is fixed for the day after
tomorrow, and that you have but one day to work in."

"And what of that? Is not a day divided into twenty-four
hours, each hour into sixty minutes, and every minute
sub-divided into sixty seconds? Now in 86,400 seconds very
many things can be done."

"And how shall I know whether your excellency has succeeded
or not."

"Oh, that is very easily arranged. I have engaged the three
lower windows at the Cafe Rospoli; should I have obtained
the requisite pardon for Peppino, the two outside windows
will be hung with yellow damasks, and the centre with white,
having a large cross in red marked on it."

"And whom will you employ to carry the reprieve to the
officer directing the execution?"

"Send one of your men, disguised as a penitent friar, and I
will give it to him. His dress will procure him the means of
approaching the scaffold itself, and he will deliver the
official order to the officer, who, in his turn, will hand
it to the executioner; in the meantime, it will be as well
to acquaint Peppino with what we have determined on, if it
be only to prevent his dying of fear or losing his senses,
because in either case a very useless expense will have been

"Your excellency," said the man, "you are fully persuaded of
my entire devotion to you, are you not?"

"Nay, I flatter myself that there can be no doubt of it,"
replied the cavalier in the cloak.

"Well, then, only fulfil your promise of rescuing Peppino,
and henceforward you shall receive not only devotion, but
the most absolute obedience from myself and those under me
that one human being can render to another."

"Have a care how far you pledge yourself, my good friend,
for I may remind you of your promise at some, perhaps, not
very distant period, when I, in my turn, may require your
aid and influence."

"Let that day come sooner or later, your excellency will
find me what I have found you in this my heavy trouble; and
if from the other end of the world you but write me word to
do such or such a thing, you may regard it as done, for done
it shall be, on the word and faith of" --

"Hush!" interrupted the stranger; "I hear a noise."

"'Tis some travellers, who are visiting the Colosseum by

"'Twere better we should not be seen together; those guides
are nothing but spies, and might possibly recognize you;
and, however I may be honored by your friendship, my worthy
friend, if once the extent of our intimacy were known, I am
sadly afraid both my reputation and credit would suffer

"Well, then, if you obtain the reprieve?"

"The middle window at the Cafe Rospoli will be hung with
white damask, bearing a red cross."

"And if you fail?"

"Then all three windows will have yellow draperies."

"And then?"

"And then, my good fellow, use your daggers in any way you
please, and I further promise you to be there as a spectator
of your prowess."

"We understand each other perfectly, then. Adieu, your
excellency; depend upon me as firmly as I do upon you."

Saying these words, the Transteverin disappeared down the
staircase, while his companion, muffling his features more
closely than before in the folds of his mantle, passed
almost close to Franz, and descended to the arena by an
outward flight of steps. The next minute Franz heard himself
called by Albert, who made the lofty building re-echo with
the sound of his friend's name. Franz, however, did not obey
the summons till he had satisfied himself that the two men
whose conversation he had overheard were at a sufficient
distance to prevent his encountering them in his descent. In
ten minutes after the strangers had departed, Franz was on
the road to the Piazza de Spagni, listening with studied
indifference to the learned dissertation delivered by
Albert, after the manner of Pliny and Calpurnius, touching
the iron-pointed nets used to prevent the ferocious beasts
from springing on the spectators. Franz let him proceed
without interruption, and, in fact, did not hear what was
said; he longed to be alone, and free to ponder over all
that had occurred. One of the two men, whose mysterious
meeting in the Colosseum he had so unintentionally
witnessed, was an entire stranger to him, but not so the
other; and though Franz had been unable to distinguish his
features, from his being either wrapped in his mantle or
obscured by the shadow, the tones of his voice had made too
powerful an impression on him the first time he had heard
them for him ever again to forget them, hear them when or
where he might. It was more especially when this man was
speaking in a manner half jesting, half bitter, that Franz's
ear recalled most vividly the deep sonorous, yet
well-pitched voice that had addressed him in the grotto of
Monte Cristo, and which he heard for the second time amid
the darkness and ruined grandeur of the Colosseum. And the
more he thought, the more entire was his conviction, that
the person who wore the mantle was no other than his former
host and entertainer, "Sinbad the Sailor."

Under any other circumstances, Franz would have found it
impossible to resist his extreme curiosity to know more of
so singular a personage, and with that intent have sought to
renew their short acquaintance; but in the present instance,
the confidential nature of the conversation he had overheard
made him, with propriety, judge that his appearance at such
a time would be anything but agreeable. As we have seen,
therefore, he permitted his former host to retire without
attempting a recognition, but fully promising himself a rich
indemnity for his present forbearance should chance afford
him another opportunity. In vain did Franz endeavor to
forget the many perplexing thoughts which assailed him; in
vain did he court the refreshment of sleep. Slumber refused
to visit his eyelids and the night was passed in feverish
contemplation of the chain of circumstances tending to prove
the identity of the mysterious visitant to the Colosseum
with the inhabitant of the grotto of Monte Cristo; and the
more he thought, the firmer grew his opinion on the subject.
Worn out at length, he fell asleep at daybreak, and did not
awake till late. Like a genuine Frenchman, Albert had
employed his time in arranging for the evening's diversion;
he had sent to engage a box at the Teatro Argentino; and
Franz, having a number of letters to write, relinquished the
carriage to Albert for the whole of the day. At five o'clock
Albert returned, delighted with his day's work; he had been
occupied in leaving his letters of introduction, and had
received in return more invitations to balls and routs than
it would be possible for him to accept; besides this, he had
seen (as he called it) all the remarkable sights at Rome.
Yes, in a single day he had accomplished what his more
serious-minded companion would have taken weeks to effect.
Neither had he neglected to ascertain the name of the piece
to be played that night at the Teatro Argentino, and also
what performers appeared in it.

The opera of "Parisina" was announced for representation,
and the principal actors were Coselli, Moriani, and La
Specchia. The young men, therefore, had reason to consider
themselves fortunate in having the opportunity of hearing
one of the best works by the composer of "Lucia di
Lammermoor," supported by three of the most renowned
vocalists of Italy. Albert had never been able to endure the
Italian theatres, with their orchestras from which it is
impossible to see, and the absence of balconies, or open
boxes; all these defects pressed hard on a man who had had
his stall at the Bouffes, and had shared a lower box at the
Opera. Still, in spite of this, Albert displayed his most
dazzling and effective costumes each time he visited the
theatres; but, alas, his elegant toilet was wholly thrown
away, and one of the most worthy representatives of Parisian
fashion had to carry with him the mortifying reflection that
he had nearly overrun Italy without meeting with a single

Sometimes Albert would affect to make a joke of his want of
success; but internally he was deeply wounded, and his
self-love immensely piqued, to think that Albert de Morcerf,
the most admired and most sought after of any young person
of his day, should thus be passed over, and merely have his
labor for his pains. And the thing was so much the more
annoying, as, according to the characteristic modesty of a
Frenchman, Albert had quitted Paris with the full conviction
that he had only to show himself in Italy to carry all
before him, and that upon his return he should astonish the
Parisian world with the recital of his numerous
love-affairs. Alas, poor Albert! none of those interesting
adventures fell in his way; the lovely Genoese, Florentines,
and Neapolitans were all faithful, if not to their husbands,
at least to their lovers, and thought not of changing even
for the splendid appearance of Albert de Morcerf; and all he
gained was the painful conviction that the ladies of Italy
have this advantage over those of France, that they are
faithful even in their infidelity. Yet he could not restrain
a hope that in Italy, as elsewhere, there might be an
exception to the general rule. Albert, besides being an
elegant, well-looking young man, was also possessed of
considerable talent and ability; moreover, he was a viscount
-- a recently created one, certainly, but in the present day
it is not necessary to go as far back as Noah in tracing a
descent, and a genealogical tree is equally estimated,
whether dated from 1399 or merely 1815; but to crown all
these advantages, Albert de Morcerf commanded an income of
50,000 livres, a more than sufficient sum to render him a
personage of considerable importance in Paris. It was
therefore no small mortification to him to have visited most
of the principal cities in Italy without having excited the
most trifling observation. Albert, however, hoped to
indemnify himself for all these slights and indifferences
during the Carnival, knowing full well that among the
different states and kingdoms in which this festivity is
celebrated, Rome is the spot where even the wisest and
gravest throw off the usual rigidity of their lives, and
deign to mingle in the follies of this time of liberty and

The Carnival was to commence on the morrow; therefore Albert
had not an instant to lose in setting forth the programme of
his hopes, expectations, and claims to notice. With this
design he had engaged a box in the most conspicuous part of
the theatre, and exerted himself to set off his personal
attractions by the aid of the most rich and elaborate
toilet. The box taken by Albert was in the first circle;
although each of the three tiers of boxes is deemed equally
aristocratic, and is, for this reason, generally styled the
"nobility's boxes," and although the box engaged for the two
friends was sufficiently capacious to contain at least a
dozen persons, it had cost less than would be paid at some
of the French theatres for one admitting merely four
occupants. Another motive had influenced Albert's selection
of his seat, -- who knew but that, thus advantageously
placed, he might not in truth attract the notice of some
fair Roman, and an introduction might ensue that would
procure him the offer of a seat in a carriage, or a place in
a princely balcony, from which he might behold the gayeties
of the Carnival? These united considerations made Albert
more lively and anxious to please than he had hitherto been.
Totally disregarding the business of the stage, he leaned
from his box and began attentively scrutinizing the beauty
of each pretty woman, aided by a powerful opera-glass; but,
alas, this attempt to attract notice wholly failed; not even
curiosity had been excited, and it was but too apparent that
the lovely creatures, into whose good graces he was desirous
of stealing, were all so much engrossed with themselves,
their lovers, or their own thoughts, that they had not so
much as noticed him or the manipulation of his glass.

The truth was, that the anticipated pleasures of the
Carnival, with the "holy week" that was to succeed it, so
filled every fair breast, as to prevent the least attention
being bestowed even on the business of the stage. The actors
made their entries and exits unobserved or unthought of; at
certain conventional moments, the spectators would suddenly
cease their conversation, or rouse themselves from their
musings, to listen to some brilliant effort of Moriani's, a
well-executed recitative by Coselli, or to join in loud
applause at the wonderful powers of La Specchia; but that
momentary excitement over, they quickly relapsed into their
former state of preoccupation or interesting conversation.
Towards the close of the first act, the door of a box which
had been hitherto vacant was opened; a lady entered to whom
Franz had been introduced in Paris, where indeed, he had
imagined she still was. The quick eye of Albert caught the
involuntary start with which his friend beheld the new
arrival, and, turning to him, he said hastily, "Do you know
the woman who has just entered that box?"

"Yes; what do you think of her?"

"Oh, she is perfectly lovely -- what a complexion! And such
magnificent hair! Is she French?"

"No; a Venetian."

"And her name is -- "

"Countess G---- ."

"Ah, I know her by name!" exclaimed Albert; "she is said to
possess as much wit and cleverness as beauty. I was to have
been presented to her when I met her at Madame Villefort's

"Shall I assist you in repairing your negligence?" asked

"My dear fellow, are you really on such good terms with her
as to venture to take me to her box?"

"Why, I have only had the honor of being in her society and
conversing with her three or four times in my life; but you
know that even such an acquaintance as that might warrant my
doing what you ask." At that instant, the countess perceived
Franz, and graciously waved her hand to him, to which he
replied by a respectful inclination of the head. "Upon my
word," said Albert, "you seem to be on excellent terms with
the beautiful countess."

"You are mistaken in thinking so," returned Franz calmly;
"but you merely fall into the same error which leads so many
of our countrymen to commit the most egregious blunders, --
I mean that of judging the habits and customs of Italy and
Spain by our Parisian notions; believe me, nothing is more
fallacious than to form any estimate of the degree of
intimacy you may suppose existing among persons by the
familiar terms they seem upon; there is a similarity of
feeling at this instant between ourselves and the countess
-- nothing more."

"Is there, indeed, my good fellow? Pray tell me, is it
sympathy of heart?"

"No; of taste," continued Franz gravely.

"And in what manner has this congeniality of mind been

"By the countess's visiting the Colosseum, as we did last
night, by moonlight, and nearly alone."

"You were with her, then?"

"I was."

"And what did you say to her?"

"Oh, we talked of the illustrious dead of whom that
magnificent ruin is a glorious monument!"

"Upon my word," cried Albert, "you must have been a very
entertaining companion alone, or all but alone, with a
beautiful woman in such a place of sentiment as the
Colosseum, and yet to find nothing better a talk about than
the dead! All I can say is, if ever I should get such a
chance, the living should be my theme."

"And you will probably find your theme ill-chosen."

"But," said Albert, breaking in upon his discourse, "never
mind the past; let us only remember the present. Are you not
going to keep your promise of introducing me to the fair
subject of our remarks?"

"Certainly, directly the curtain falls on the stage."

"What a confounded time this first act takes. I believe, on
my soul, that they never mean to finish it."

"Oh, yes, they will; only listen to that charming finale.
How exquisitely Coselli sings his part."

"But what an awkward, inelegant fellow he is."

"Well, then, what do you say to La Specchia? Did you ever
see anything more perfect than her acting?"

"Why, you know, my dear fellow, when one has been accustomed
to Malibran and Sontag, such singers as these don't make the
same impression on you they perhaps do on others."

"At least, you must admire Moriani's style and execution."

"I never fancied men of his dark, ponderous appearance
singing with a voice like a woman's."

"My good friend," said Franz, turning to him, while Albert
continued to point his glass at every box in the theatre,
"you seem determined not to approve; you are really too
difficult to please." The curtain at length fell on the
performances, to the infinite satisfaction of the Viscount
of Morcerf, who seized his hat, rapidly passed his fingers
through his hair, arranged his cravat and wristbands, and
signified to Franz that he was waiting for him to lead the
way. Franz, who had mutely interrogated the countess, and
received from her a gracious smile in token that he would be
welcome, sought not to retard the gratification of Albert's
eager impatience, but began at once the tour of the house,
closely followed by Albert, who availed himself of the few
minutes required to reach the opposite side of the theatre
to settle the height and smoothness of his collar, and to
arrange the lappets of his coat. This important task was
just completed as they arrived at the countess's box. At the
knock, the door was immediately opened, and the young man
who was seated beside the countess, in obedience to the
Italian custom, instantly rose and surrendered his place to
the strangers, who, in turn, would be expected to retire
upon the arrival of other visitors.

Franz presented Albert as one of the most distinguished
young men of the day, both as regarded his position in
society and extraordinary talents; nor did he say more than
the truth, for in Paris and the circle in which the viscount
moved, he was looked upon and cited as a model of
perfection. Franz added that his companion, deeply grieved
at having been prevented the honor of being presented to the
countess during her sojourn in Paris, was most anxious to
make up for it, and had requested him (Franz) to remedy the
past misfortune by conducting him to her box, and concluded
by asking pardon for his presumption in having taken it upon
himself to do so. The countess, in reply, bowed gracefully
to Albert, and extended her hand with cordial kindness to
Franz; then, inviting Albert to take the vacant seat beside
her, she recommended Franz to take the next best, if he
wished to view the ballet, and pointed to the one behind her
own chair. Albert was soon deeply engrossed in discoursing
upon Paris and Parisian matters, speaking to the countess of
the various persons they both knew there. Franz perceived
how completely he was in his element; and, unwilling to
interfere with the pleasure he so evidently felt, took up
Albert's glass, and began in his turn to survey the
audience. Sitting alone, in the front of a box immediately
opposite, but situated on the third row, was a woman of
exquisite beauty, dressed in a Greek costume, which
evidently, from the ease and grace with which she wore it,
was her national attire. Behind her, but in deep shadow, was
the outline of a masculine figure; but the features of this
latter personage it was not possible to distinguish. Franz
could not forbear breaking in upon the apparently
interesting conversation passing between the countess and
Albert, to inquire of the former if she knew who was the
fair Albanian opposite, since beauty such as hers was well
worthy of being observed by either sex. "All I can tell
about her," replied the countess, "is, that she has been at
Rome since the beginning of the season; for I saw her where
she now sits the very first night of the season, and since
then she has never missed a performance. Sometimes she is
accompanied by the person who is now with her, and at others
she is merely attended by a black servant."

"And what do you think of her personal appearance?"

"Oh, I consider her perfectly lovely -- she is just my idea
of what Medora must have been."

Franz and the countess exchanged a smile, and then the
latter resumed her conversation with Albert, while Franz
returned to his previous survey of the house and company.
The curtain rose on the ballet, which was one of those
excellent specimens of the Italian school, admirably
arranged and put on the stage by Henri, who has established
for himself a great reputation throughout Italy for his
taste and skill in the choreographic art -- one of those
masterly productions of grace, method, and elegance in which
the whole corps de ballet, from the principal dancers to the
humblest supernumerary, are all engaged on the stage at the
same time; and a hundred and fifty persons may be seen
exhibiting the same attitude, or elevating the same arm or
leg with a simultaneous movement, that would lead you to
suppose that but one mind, one act of volition, influenced
the moving mass -- the ballet was called "Poliska." However
much the ballet might have claimed his attention, Franz was
too deeply occupied with the beautiful Greek to take any
note of it; while she seemed to experience an almost
childlike delight in watching it, her eager, animated looks
contrasting strongly with the utter indifference of her
companion, who, during the whole time the piece lasted,
never even moved, not even when the furious, crashing din
produced by the trumpets, cymbals, and Chinese bells sounded
their loudest from the orchestra. Of this he took no heed,
but was, as far as appearances might be trusted, enjoying
soft repose and bright celestial dreams. The ballet at
length came to a close, and the curtain fell amid the loud,
unanimous plaudits of an enthusiastic and delighted

Owing to the very judicious plan of dividing the two acts of
the opera with a ballet, the pauses between the performances
are very short, the singers in the opera having time to
repose themselves and change their costume, when necessary,
while the dancers are executing their pirouettes and
exhibiting their graceful steps. The overture to the second
act began; and, at the first sound of the leader's bow
across his violin, Franz observed the sleeper slowly arise
and approach the Greek girl, who turned around to say a few
words to him, and then, leaning forward again on the railing
of her box, she became as absorbed as before in what was
going on. The countenance of the person who had addressed
her remained so completely in the shade, that, though Franz
tried his utmost, he could not distinguish a single feature.
The curtain rose, and the attention of Franz was attracted
by the actors; and his eyes turned from the box containing
the Greek girl and her strange companion to watch the
business of the stage.

Most of my readers are aware that the second act of
"Parisina" opens with the celebrated and effective duet in
which Parisina, while sleeping, betrays to Azzo the secret
of her love for Ugo. The injured husband goes through all
the emotions of jealousy, until conviction seizes on his
mind, and then, in a frenzy of rage and indignation, he
awakens his guilty wife to tell her that he knows her guilt
and to threaten her with his vengeance. This duet is one of
the most beautiful, expressive and terrible conceptions that
has ever emanated from the fruitful pen of Donizetti. Franz
now listened to it for the third time; yet its notes, so
tenderly expressive and fearfully grand as the wretched
husband and wife give vent to their different griefs and
passions, thrilled through the soul of Franz with an effect
equal to his first emotions upon hearing it. Excited beyond
his usual calm demeanor, Franz rose with the audience, and
was about to join the loud, enthusiastic applause that
followed; but suddenly his purpose was arrested, his hands
fell by his sides, and the half-uttered "bravos" expired on
his lips. The occupant of the box in which the Greek girl
sat appeared to share the universal admiration that
prevailed; for he left his seat to stand up in front, so
that, his countenance being fully revealed, Franz had no
difficulty in recognizing him as the mysterious inhabitant
of Monte Cristo, and the very same person he had encountered
the preceding evening in the ruins of the Colosseum, and
whose voice and figure had seemed so familiar to him. All
doubt of his identity was now at an end; his singular host
evidently resided at Rome. The surprise and agitation
occasioned by this full confirmation of Franz's former
suspicion had no doubt imparted a corresponding expression
to his features; for the countess, after gazing with a
puzzled look at his face, burst into a fit of laughter, and
begged to know what had happened. "Countess," returned
Franz, totally unheeding her raillery, "I asked you a short
time since if you knew any particulars respecting the
Albanian lady opposite; I must now beseech you to inform me
who and what is her husband?"

"Nay," answered the countess, "I know no more of him than

"Perhaps you never before noticed him?"

"What a question -- so truly French! Do you not know that we
Italians have eyes only for the man we love?"

"True," replied Franz.

"All I can say is," continued the countess, taking up the
lorgnette, and directing it toward the box in question,
"that the gentleman, whose history I am unable to furnish,
seems to me as though he had just been dug up; he looks more
like a corpse permitted by some friendly grave-digger to
quit his tomb for a while, and revisit this earth of ours,
than anything human. How ghastly pale he is!"

"Oh, he is always as colorless as you now see him," said

"Then you know him?" almost screamed the countess. "Oh, pray
do, for heaven's sake, tell us all about -- is he a vampire,
or a resuscitated corpse, or what?"

"I fancy I have seen him before; and I even think he
recognizes me."

"And I can well understand," said the countess, shrugging up
her beautiful shoulders, as though an involuntary shudder
passed through her veins, "that those who have once seen
that man will never be likely to forget him." The sensation
experienced by Franz was evidently not peculiar to himself;
another, and wholly uninterested person, felt the same
unaccountable awe and misgiving. "Well." inquired Franz,
after the countess had a second time directed her lorgnette
at the box, "what do you think of our opposite neighbor?"

"Why, that he is no other than Lord Ruthven himself in a
living form." This fresh allusion to Byron* drew a smile to
Franz's countenance; although he could but allow that if
anything was likely to induce belief in the existence of
vampires, it would be the presence of such a man as the
mysterious personage before him.

"I must positively find out who and what he is," said Franz,
rising from his seat.

"No, no," cried the countess; "you must not leave me. I
depend upon you to escort me home. Oh, indeed, I cannot
permit you to go."

* Scott, of course: "The son of an ill-fated sire, and the
father of a yet more unfortunate family, bore in his looks
that cast of inauspicious melancholy by which the
physiognomists of that time pretended to distinguish those
who were predestined to a violent and unhappy death." -- The
Abbot, ch. xxii.

"Is it possible," whispered Franz, "that you entertain any

"I'll tell you," answered the countess. "Byron had the most
perfect belief in the existence of vampires, and even
assured me that he had seen them. The description he gave me
perfectly corresponds with the features and character of the
man before us. Oh, he is the exact personification of what I
have been led to expect! The coal-black hair, large bright,
glittering eyes, in which a wild, unearthly fire seems
burning, -- the same ghastly paleness. Then observe, too,
that the woman with him is altogether unlike all others of
her sex. She is a foreigner -- a stranger. Nobody knows who
she is, or where she comes from. No doubt she belongs to the
same horrible race he does, and is, like himself, a dealer
in magical arts. I entreat of you not to go near him -- at
least to-night; and if to-morrow your curiosity still
continues as great, pursue your researches if you will; but
to-night you neither can nor shall. For that purpose I mean
to keep you all to myself." Franz protested he could not
defer his pursuit till the following day, for many reasons.
"Listen to me," said the countess, "and do not be so very
headstrong. I am going home. I have a party at my house
to-night, and therefore cannot possibly remain till the end
of the opera. Now, I cannot for one instant believe you so
devoid of gallantry as to refuse a lady your escort when she
even condescends to ask you for it."

There was nothing else left for Franz to do but to take up
his hat, open the door of the box, and offer the countess
his arm. It was quite evident, by her manner, that her
uneasiness was not feigned; and Franz himself could not
resist a feeling of superstitious dread -- so much the
stronger in him, as it arose from a variety of corroborative
recollections, while the terror of the countess sprang from
an instinctive belief, originally created in her mind by the
wild tales she had listened to till she believed them
truths. Franz could even feel her arm tremble as he assisted
her into the carriage. Upon arriving at her hotel, Franz
perceived that she had deceived him when she spoke of
expecting company; on the contrary, her own return before
the appointed hour seemed greatly to astonish the servants.
"Excuse my little subterfuge," said the countess, in reply
to her companion's half-reproachful observation on the
subject; "but that horrid man had made me feel quite
uncomfortable, and I longed to be alone, that I might
compose my startled mind." Franz essayed to smile. "Nay,"
said she, "do not smile; it ill accords with the expression
of your countenance, and I am sure it does not spring from
your heart. However, promise me one thing."

"What is it?"

"Promise me, I say."

"I will do anything you desire, except relinquish my
determination of finding out who this man is. I have more
reasons than you can imagine for desiring to know who he is,
from whence he came, and whither he is going."

"Where he comes from I am ignorant; but I can readily tell
you where he is going to, and that is down below, without
the least doubt."

"Let us only speak of the promise you wished me to make,"
said Franz.

"Well, then, you must give me your word to return
immediately to your hotel, and make no attempt to follow
this man to-night. There are certain affinities between the
persons we quit and those we meet afterwards. For heaven's
sake, do not serve as a conductor between that man and me.
Pursue your chase after him to-morrow as eagerly as you
please; but never bring him near me, if you would not see me
die of terror. And now, good-night; go to your rooms, and
try to sleep away all recollections of this evening. For my
own part, I am quite sure I shall not be able to close my
eyes." So saying, the countess quitted Franz, leaving him
unable to decide whether she were merely amusing herself at
his expense, or whether her fears and agitations were

Upon his return to the hotel, Franz found Albert in his
dressing-gown and slippers, listlessly extended on a sofa,
smoking a cigar. "My dear fellow." cried he, springing up,
"is it really you? Why, I did not expect to see you before

"My dear Albert," replied Franz, "I am glad of this
opportunity to tell you, once and forever, that you
entertain a most erroneous notion concerning Italian women.
I should have thought the continual failures you have met
with in all your own love affairs might have taught you
better by this time."

"Upon my soul, these women would puzzle the very Devil to
read them aright. Why, here -- they give you their hand --
they press yours in return -- they keep up a whispering
conversation -- permit you to accompany them home. Why, if a
Parisian were to indulge in a quarter of these marks of
flattering attention, her reputation would be gone forever."

"And the very reason why the women of this fine country put
so little restraint on their words and actions, is because
they live so much in public, and have really nothing to
conceal. Besides, you must have perceived that the countess
was really alarmed."

"At what? At the sight of that respectable gentleman sitting
opposite to us in the same box with the lovely Greek girl?
Now, for my part, I met them in the lobby after the
conclusion of the piece; and hang me, if I can guess where
you took your notions of the other world from. I can assure
you that this hobgoblin of yours is a deuced fine-looking
fellow -- admirably dressed. Indeed, I feel quite sure, from
the cut of his clothes, they are made by a first-rate Paris
tailor -- probably Blin or Humann. He was rather too pale,
certainly; but then, you know, paleness is always looked
upon as a strong proof of aristocratic descent and
distinguished breeding." Franz smiled; for he well
remembered that Albert particularly prided himself on the
entire absence of color in his own complexion.

"Well, that tends to confirm my own ideas," said Franz,
"that the countess's suspicions were destitute alike of
sense and reason. Did he speak in your hearing? and did you
catch any of his words?"

"I did; but they were uttered in the Romaic dialect. I knew
that from the mixture of Greek words. I don't know whether I
ever told you that when I was at college I was rather --
rather strong in Greek."

"He spoke the Romaic language, did he?"

"I think so."

"That settles it," murmured Franz. "'Tis he, past all

"What do you say?"

"Nothing, nothing. But tell me, what were you thinking about
when I came in?"

"Oh, I was arranging a little surprise for you."

"Indeed. Of what nature?"

"Why, you know it is quite impossible to procure a

"Certainly; and I also know that we have done all that human
means afforded to endeavor to get one."

"Now, then, in this difficulty a bright idea has flashed
across my brain." Franz looked at Albert as though he had
not much confidence in the suggestions of his imagination.
"I tell you what, Sir Franz," cried Albert, "you deserve to
be called out for such a misgiving and incredulous glance as
that you were pleased to bestow on me just now."

"And I promise to give you the satisfaction of a gentleman
if your scheme turns out as ingenious as you assert."

"Well, then, hearken to me."

"I listen."

"You agree, do you not, that obtaining a carriage is out of
the question?"

"I do."

"Neither can we procure horses?"

"True; we have offered any sum, but have failed."

"Well, now, what do you say to a cart? I dare say such a
thing might be had."

"Very possibly."

"And a pair of oxen?"

"As easily found as the cart."

"Then you see, my good fellow, with a cart and a couple of
oxen our business can be managed. The cart must be
tastefully ornamented; and if you and I dress ourselves as
Neapolitan reapers, we may get up a striking tableau, after
the manner of that splendid picture by Leopold Robert. It
would add greatly to the effect if the countess would join
us in the costume of a peasant from Puzzoli or Sorrento. Our
group would then be quite complete, more especially as the
countess is quite beautiful enough to represent a madonna."

"Well," said Franz, "this time, Albert, I am bound to give
you credit for having hit upon a most capital idea."

"And quite a national one, too," replied Albert with
gratified pride. "A mere masque borrowed from our own
festivities. Ha, ha, ye Romans! you thought to make us,
unhappy strangers, trot at the heels of your processions,
like so many lazzaroni, because no carriages or horses are
to be had in your beggarly city. But you don't know us; when
we can't have one thing we invent another."

"And have you communicated your triumphant idea to anybody?"

"Only to our host. Upon my return home I sent for him, and I
then explained to him what I wished to procure. He assured
me that nothing would be easier than to furnish all I
desired. One thing I was sorry for; when I bade him have the
horns of the oxen gilded, he told me there would not be
time, as it would require three days to do that; so you see
we must do without this little superfluity."

"And where is he now?"


"Our host."

"Gone out in search of our equipage, by to-morrow it might
be too late."

"Then he will be able to give us an answer to-night."

"Oh, I expect him every minute." At this instant the door
opened, and the head of Signor Pastrini appeared.
"Permesso?" inquired he.

"Certainly -- certainly," cried Franz. "Come in, mine host."

"Now, then," asked Albert eagerly, "have you found the
desired cart and oxen?"

"Better than that!" replied Signor Pastrini, with the air of
a man perfectly well satisfied with himself.

"Take care, my worthy host," said Albert, "better is a sure
enemy to well."

"Let your excellencies only leave the matter to me,"
returned Signor Pastrini in a tone indicative of unbounded

"But what have you done?" asked Franz. "Speak out, there's a
worthy fellow."

"Your excellencies are aware," responded the landlord,
swelling with importance, "that the Count of Monte Cristo is
living on the same floor with yourselves!"

"I should think we did know it," exclaimed Albert, "since it
is owing to that circumstance that we are packed into these
small rooms, like two poor students in the back streets of

"When, then, the Count of Monte Cristo, hearing of the
dilemma in which you are placed, has sent to offer you seats
in his carriage and two places at his windows in the Palazzo
Rospoli." The friends looked at each other with unutterable

"But do you think," asked Albert, "that we ought to accept
such offers from a perfect stranger?"

"What sort of person is this Count of Monte Cristo?" asked
Franz of his host. "A very great nobleman, but whether
Maltese or Sicilian I cannot exactly say; but this I know,
that he is noble as a Borghese and rich as a gold-mine."

"It seems to me," said Franz, speaking in an undertone to
Albert, "that if this person merited the high panegyrics of
our landlord, he would have conveyed his invitation through
another channel, and not permitted it to be brought to us in
this unceremonious way. He would have written -- or" --

At this instant some one knocked at the door. "Come in,"
said Franz. A servant, wearing a livery of considerable
style and richness, appeared at the threshold, and, placing
two cards in the landlord's hands, who forthwith presented
them to the two young men, he said, "Please to deliver
these, from the Count of Monte Cristo to Viscomte Albert de
Morcerf and M. Franz d'Epinay. The Count of Monte Cristo,"
continued the servant, "begs these gentlemen's permission to
wait upon them as their neighbor, and he will be honored by
an intimation of what time they will please to receive him."

"Faith, Franz," whispered Albert, "there is not much to find
fault with here."

"Tell the count," replied Franz, "that we will do ourselves
the pleasure of calling on him." The servant bowed and

"That is what I call an elegant mode of attack," said
Albert, "You were quite correct in what you said, Signor
Pastrini. The Count of Monte Cristo is unquestionably a man
of first-rate breeding and knowledge of the world."

"Then you accept his offer?" said the host.

"Of course we do," replied Albert. "Still, I must own I am
sorry to be obliged to give up the cart and the group of
reapers -- it would have produced such an effect! And were
it not for the windows at the Palazzo Rospoli, by way of
recompense for the loss of our beautiful scheme, I don't
know but what I should have held on by my original plan.
What say you, Franz?"

"Oh, I agree with you; the windows in the Palazzo Rospoli
alone decided me." The truth was, that the mention of two
places in the Palazzo Rospoli had recalled to Franz the
conversation he had overheard the preceding evening in the
ruins of the Colosseum between the mysterious unknown and
the Transteverin, in which the stranger in the cloak had
undertaken to obtain the freedom of a condemned criminal;
and if this muffled-up individual proved (as Franz felt sure
he would) the same as the person he had just seen in the
Teatro Argentino, then he should be able to establish his
identity, and also to prosecute his researches respecting
him with perfect facility and freedom. Franz passed the
night in confused dreams respecting the two meetings he had
already had with his mysterious tormentor, and in waking
speculations as to what the morrow would produce. The next
day must clear up every doubt; and unless his near neighbor
and would-be friend, the Count of Monte Cristo, possessed
the ring of Gyges, and by its power was able to render
himself invisible, it was very certain he could not escape
this time. Eight o'clock found Franz up and dressed, while
Albert, who had not the same motives for early rising, was
still soundly asleep. The first act of Franz was to summon
his landlord, who presented himself with his accustomed

"Pray, Signor Pastrini," asked Franz, "is not some execution
appointed to take place to-day?"

"Yes, your excellency; but if your reason for inquiry is
that you may procure a window to view it from, you are much
too late."

"Oh, no," answered Franz, "I had no such intention; and even
if I had felt a wish to witness the spectacle, I might have
done so from Monte Pincio -- could I not?"

"Ah!" exclaimed mine host, "I did not think it likely your
excellency would have chosen to mingle with such a rabble as
are always collected on that hill, which, indeed, they
consider as exclusively belonging to themselves."

"Very possibly I may not go," answered Franz; "but in case I
feel disposed, give me some particulars of to-day's

"What particulars would your excellency like to hear?"

"Why, the number of persons condemned to suffer, their
names, and description of the death they are to die."

"That happens just lucky, your excellency! Only a few
minutes ago they brought me the tavolettas."

"What are they?"

"Sort of wooden tablets hung up at the corners of streets
the evening before an execution, on which is pasted up a
paper containing the names of the condemned persons, their
crimes, and mode of punishment. The reason for so publicly
announcing all this is, that all good and faithful Catholics
may offer up their prayers for the unfortunate culprits,
and, above all, beseech of heaven to grant them a sincere

"And these tablets are brought to you that you may add your
prayers to those of the faithful, are they?" asked Franz
somewhat incredulously.

"Oh, dear, no, your excellency! I have not time for
anybody's affairs but my own and those of my honorable
guests; but I make an agreement with the man who pastes up
the papers, and he brings them to me as he would the
playbills, that in case any person staying at my hotel
should like to witness an execution, he may obtain every
requisite information concerning the time and place etc."

"Upon my word, that is a most delicate attention on your
part, Signor Pastrini," cried Franz.

"Why, your excellency," returned the landlord, chuckling and
rubbing his hands with infinite complacency, "I think I may
take upon myself to say I neglect nothing to deserve the
support and patronage of the noble visitors to this poor

"I see that plainly enough, my most excellent host, and you
may rely upon me to proclaim so striking a proof of your
attention to your guests wherever I go. Meanwhile, oblige me
by a sight of one of these tavolettas."

"Nothing can be easier than to comply with your excellency's
wish," said the landlord, opening the door of the chamber;
"I have caused one to be placed on the landing, close by
your apartment." Then, taking the tablet from the wall, he
handed it to Franz, who read as follows: --

"`The public is informed that on Wednesday, February 23d,
being the first day of the Carnival, executions will take
place in the Piazza del Popolo, by order of the Tribunal of
the Rota, of two persons, named Andrea Rondola, and Peppino,
otherwise called Rocca Priori; the former found guilty of
the murder of a venerable and exemplary priest, named Don
Cesare Torlini, canon of the church of St. John Lateran; and
the latter convicted of being an accomplice of the atrocious
and sanguinary bandit, Luigi Vampa, and his band. The
first-named malefactor will be subjected to the mazzuola,
the second culprit beheaded. The prayers of all good
Christians are entreated for these unfortunate men, that it
may please God to awaken them to a sense of their guilt, and
to grant them a hearty and sincere repentance for their

This was precisely what Franz had heard the evening before
in the ruins of the Colosseum. No part of the programme
differed, -- the names of the condemned persons, their
crimes, and mode of punishment, all agreed with his previous
information. In all probability, therefore, the Transteverin
was no other than the bandit Luigi Vampa himself, and the
man shrouded in the mantle the same he had known as "Sinbad
the Sailor," but who, no doubt, was still pursuing his
philanthropic expedition in Rome, as he had already done at
Porto-Vecchio and Tunis. Time was getting on, however, and
Franz deemed it advisable to awaken Albert; but at the
moment he prepared to proceed to his chamber, his friend
entered the room in perfect costume for the day. The
anticipated delights of the Carnival had so run in his head
as to make him leave his pillow long before his usual hour.
"Now, my excellent Signor Pastrini," said Franz, addressing
his landlord, "since we are both ready, do you think we may
proceed at once to visit the Count of Monte Cristo?"

"Most assuredly," replied he. "The Count of Monte Cristo is
always an early riser; and I can answer for his having been
up these two hours."

"Then you really consider we shall not be intruding if we
pay our respects to him directly?"

"Oh, I am quite sure. I will take all the blame on myself if
you find I have led you into an error."

"Well, then, if it be so, are you ready, Albert?"


"Let us go and return our best thanks for his courtesy."

"Yes, let us do so." The landlord preceded the friends
across the landing, which was all that separated them from
the apartments of the count, rang at the bell, and, upon the
door being opened by a servant, said, "I signori Francesi."

The domestic bowed respectfully, and invited them to enter.
They passed through two rooms, furnished in a luxurious
manner they had not expected to see under the roof of Signor
Pastrini, and were shown into an elegantly fitted-up
drawing-room. The richest Turkey carpets covered the floor,
and the softest and most inviting couches, easy-chairs, and
sofas, offered their high-piled and yielding cushions to
such as desired repose or refreshment. Splendid paintings by
the first masters were ranged against the walls,
intermingled with magnificent trophies of war, while heavy
curtains of costly tapestry were suspended before the
different doors of the room. "If your excellencies will
please to be seated," said the man, "I will let the count
know that you are here."

And with these words he disappeared behind one of the
tapestried portieres. As the door opened, the sound of a
guzla reached the ears of the young men, but was almost
immediately lost, for the rapid closing of the door merely
allowed one rich swell of harmony to enter. Franz and Albert
looked inquiringly at each other, then at the gorgeous
furnishings of the apartment. Everything seemed more
magnificent at a second view than it had done at their first
rapid survey.

"Well," said Franz to his friend, "what think you of all

"Why, upon my soul, my dear fellow, it strikes me that our
elegant and attentive neighbor must either be some
successful stock-jobber who has speculated in the fall of
the Spanish funds, or some prince travelling incog."

"Hush, hush!" replied Franz; "we shall ascertain who and
what he is -- he comes!" As Franz spoke, he heard the sound
of a door turning on its hinges, and almost immediately
afterwards the tapestry was drawn aside, and the owner of
all these riches stood before the two young men. Albert
instantly rose to meet him, but Franz remained, in a manner,
spellbound on his chair; for in the person of him who had
just entered he recognized not only the mysterious visitant
to the Colosseum, and the occupant of the box at the Teatro
Argentino, but also his extraordinary host of Monte Cristo.

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