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The Count of Monte Cristo - The Burglary.

1. Marseilles -- The Arrival.

2. Father and Son.

3. The Catalans.

4. Conspiracy.

5. The Marriage-Feast.

6. The Deputy Procureur du Roi.

7. The Examination.

8. The Chateau D'If.

9. The Evening of the Betrothal.

10. The King's Closet at the Tuileries.

11. The Corsican Ogre.

12. Father and Son.

13. The Hundred Days.

14. The Two Prisoners.

15. Number 34 and Number 27.

16. A Learned Italian.

17. The Abbe's Chamber.

18. The Treasure.

19. The Third Attack.

20. The Cemetery of the Chateau D'If.

21. The Island of Tiboulen.

22. The Smugglers.

23. The Island of Monte Cristo.

24. The Secret Cave.

25. The Unknown.

26. The Pont du Gard Inn.

27. The Story.

28. The Prison Register.

29. The House of Morrel & Son.

30. The Fifth of September.

31. Italy: Sinbad the Sailor.

32. The Waking.

33. Roman Bandits.

34. The Colosseum.

35. La Mazzolata.

36. The Carnival at Rome.

37. The Catacombs of Saint Sebastian.

38. The Compact.

39. The Guests.

40. The Breakfast.

41. The Presentation.

42. Monsieur Bertuccio.

43. The House at Auteuil.

44. The Vendetta.

45. The Rain of Blood.

46. Unlimited Credit.

47. The Dappled Grays.

48. Ideology.

49. Haidee.

50. The Morrel Family.

51. Pyramus and Thisbe.

52. Toxicology.

53. Robert le Diable.

54. A Flurry in Stocks.

55. Major Cavalcanti.

56. Andrea Cavalcanti.

57. In the Lucerne Patch.

58. M. Noirtier de Villefort.

59. The Will.

60. The Telegraph.

61. How a Gardener may get rid of the Dormice that eat His Peaches

62. Ghosts.

63. The Dinner.

64. The Beggar.

65. A Conjugal Scene.

66. Matrimonial Projects.

67. At the Office of the King's Attorney.

68. A Summer Ball.

69. The Inquiry.

70. The Ball.

71. Bread and Salt.

72. Madame de Saint-Meran.

73. The Promise.

74. The Villefort Family Vault.

75. A Signed Statement.

76. Progress of Cavalcanti the Younger.

77. Haidee.

78. We hear From Yanina.

79. The Lemonade.

80. The Accusation.

81. The Room of the Retired Baker.

82. The Burglary.

83. The Hand of God.

84. Beauchamp.

85. The Journey.

86. The Trial.

87. The Challenge.

88. The Insult.

89. A Nocturnal Interview.

90. The Meeting.

91. Mother and Son.

92. The Suicide.

93. Valentine.

94. Maximilian's Avowal.

95. Father and Daughter.

96. The Contract.

97. The Departure for Belgium.

98. The Bell and Bottle Tavern.

99. The Law.

100. The Apparition.

101. Locusta.

102. Valentine.

103. Maximilian.

104. Danglars Signature.

105. The Cemetery of Pere-la-Chaise.

106. Dividing the Proceeds.

107. The Lions' Den.

108. The Judge.

109. The Assizes.

110. The Indictment.

111. Expiation.

112. The Departure.

113. The Past.

114. Peppino.

115. Luigi Vampa's Bill of Fare.

116. The Pardon.

117. The Fifth of October.

The day following that on which the conversation we have
related took place, the Count of Monte Cristo set out for
Auteuil, accompanied by Ali and several attendants, and also
taking with him some horses whose qualities he was desirous
of ascertaining. He was induced to undertake this journey,
of which the day before he had not even thought and which
had not occurred to Andrea either, by the arrival of
Bertuccio from Normandy with intelligence respecting the
house and sloop. The house was ready, and the sloop which
had arrived a week before lay at anchor in a small creek
with her crew of six men, who had observed all the requisite
formalities and were ready again to put to sea.

The count praised Bertuccio's zeal, and ordered him to
prepare for a speedy departure, as his stay in France would
not be prolonged more than a month. "Now," said he, "I may
require to go in one night from Paris to Treport; let eight
fresh horses be in readiness on the road, which will enable
me to go fifty leagues in ten hours."

"Your highness had already expressed that wish," said
Bertuccio, "and the horses are ready. I have bought them,
and stationed them myself at the most desirable posts, that
is, in villages, where no one generally stops."

"That's well," said Monte Cristo; "I remain here a day or
two -- arrange accordingly." As Bertuccio was leaving the
room to give the requisite orders, Baptistin opened the
door: he held a letter on a silver waiter.

"What are you doing here?" asked the count, seeing him
covered with dust; "I did not send for you, I think?"

Baptistin, without answering, approached the count, and
presented the letter. "Important and urgent," said he. The
count opened the letter, and read: --

"M. de Monte Cristo is apprised that this night a man will
enter his house in the Champs-Elysees with the intention of
carrying off some papers supposed to be in the secretary in
the dressing-room. The count's well-known courage will
render unnecessary the aid of the police, whose interference
might seriously affect him who sends this advice. The count,
by any opening from the bedroom, or by concealing himself in
the dressing-room, would be able to defend his property
himself. Many attendants or apparent precautions would
prevent the villain from the attempt, and M. de Monte Cristo
would lose the opportunity of discovering an enemy whom
chance has revealed to him who now sends this warning to the
count, -- a warning he might not be able to send another
time, if this first attempt should fail and another be

The count's first idea was that this was an artifice -- a
gross deception, to draw his attention from a minor danger
in order to expose him to a greater. He was on the point of
sending the letter to the commissary of police,
notwithstanding the advice of his anonymous friend, or
perhaps because of that advice, when suddenly the idea
occurred to him that it might be some personal enemy, whom
he alone should recognize and over whom, if such were the
case, he alone would gain any advantage, as Fiesco* had done
over the Moor who would have killed him. We know the Count's
vigorous and daring mind, denying anything to be impossible,
with that energy which marks the great man. From his past
life, from his resolution to shrink from nothing, the count
had acquired an inconceivable relish for the contests in
which he had engaged, sometimes against nature, that is to
say, against God, and sometimes against the world, that is,
against the devil.

* The Genoese conspirator.

"They do not want my papers," said Monte Cristo, "they want
to kill me; they are no robbers, but assassins. I will not
allow the prefect of police to interfere with my private
affairs. I am rich enough, forsooth, to distribute his
authority on this occasion." The count recalled Baptistin,
who had left the room after delivering the letter. "Return
to Paris," said he; "assemble the servants who remain there.
I want all my household at Auteuil."

"But will no one remain in the house, my lord?" asked

"Yes, the porter."

"My lord will remember that the lodge is at a distance from
the house."


"The house might be stripped without his hearing the least

"By whom?"

"By thieves."

"You are a fool, M. Baptistin. Thieves might strip the house
-- it would annoy me less than to be disobeyed." Baptistin

"You understand me?" said the count. "Bring your comrades
here, one and all; but let everything remain as usual, only
close the shutters of the ground floor."

"And those of the second floor?"

"You know they are never closed. Go!"

The count signified his intention of dining alone, and that
no one but Ali should attend him. Having dined with his
usual tranquillity and moderation, the count, making a
signal to Ali to follow him, went out by the side-gate and
on reaching the Bois de Boulogne turned, apparently without
design towards Paris and at twilight; found himself opposite
his house in the Champs-Elysees. All was dark; one solitary,
feeble light was burning in the porter's lodge, about forty
paces distant from the house, as Baptistin had said. Monte
Cristo leaned against a tree, and with that scrutinizing
glance which was so rarely deceived, looked up and down the
avenue, examined the passers-by, and carefully looked down
the neighboring streets, to see that no one was concealed.
Ten minutes passed thus, and he was convinced that no one
was watching him. He hastened to the side-door with Ali,
entered hurriedly, and by the servants' staircase, of which
he had the key, gained his bedroom without opening or
disarranging a single curtain, without even the porter
having the slightest suspicion that the house, which he
supposed empty, contained its chief occupant.

Arrived in his bedroom, the count motioned to Ali to stop;
then he passed into the dressing-room, which he examined.
Everything appeared as usual -- the precious secretary in
its place, and the key in the secretary. He double locked
it, took the key, returned to the bedroom door, removed the
double staple of the bolt, and went in. Meanwhile Ali had
procured the arms the count required -- namely, a short
carbine and a pair of double-barrelled pistols, with which
as sure an aim might be taken as with a single-barrelled
one. Thus armed, the count held the lives of five men in his
hands. It was about half-past nine. The count and Ali ate in
haste a crust of bread and drank a glass of Spanish wine;
then Monte Cristo slipped aside one of the movable panels,
which enabled him to see into the adjoining room. He had
within his reach his pistols and carbine, and Ali, standing
near him, held one of the small Arabian hatchets, whose form
has not varied since the Crusades. Through one of the
windows of the bedroom, on a line with that in the
dressing-room, the count could see into the street.

Two hours passed thus. It was intensely dark; still Ali,
thanks to his wild nature, and the count, thanks doubtless
to his long confinement, could distinguish in the darkness
the slightest movement of the trees. The little light in the
lodge had long been extinct. It might be expected that the
attack, if indeed an attack was projected, would be made
from the staircase of the ground floor, and not from a
window; in Monte Cristo's opinion, the villains sought his
life, not his money. It would be his bedroom they would
attack, and they must reach it by the back staircase, or by
the window in the dressing-room. The clock of the Invalides
struck a quarter to twelve; the west wind bore on its
moistened gusts the doleful vibration of the three strokes.

As the last stroke died away, the count thought he heard a
slight noise in the dressing-room; this first sound, or
rather this first grinding, was followed by a second, then a
third; at the fourth, the count knew what to expect. A firm
and well-practised hand was engaged in cutting the four
sides of a pane of glass with a diamond. The count felt his
heart beat more rapidly. Inured as men may be to danger,
forewarned as they may be of peril, they understand, by the
fluttering of the heart and the shuddering of the frame, the
enormous difference between a dream and a reality, between
the project and the execution. However, Monte Cristo only
made a sign to apprise Ali, who, understanding that danger
was approaching from the other side, drew nearer to his
master. Monte Cristo was eager to ascertain the strength and
number of his enemies.

The window whence the noise proceeded was opposite the
opening by which the count could see into the dressing-room.
He fixed his eyes on that window -- he distinguished a
shadow in the darkness; then one of the panes became quite
opaque, as if a sheet of paper were stuck on the outside,
then the square cracked without falling. Through the opening
an arm was passed to find the fastening, then a second; the
window turned on its hinges, and a man entered. He was

"That's a daring rascal," whispered the count.

At that moment Ali touched him slightly on the shoulder. He
turned; Ali pointed to the window of the room in which they
were, facing the street. "I see!" said he, "there are two of
them; one does the work while the other stands guard." He
made a sign to Ali not to lose sight of the man in the
street, and turned to the one in the dressing-room.

The glass-cutter had entered, and was feeling his way, his
arms stretched out before him. At last he appeared to have
made himself familiar with his surroundings. There were two
doors; he bolted them both.

When he drew near to the bedroom door, Monte Cristo expected
that he was coming in, and raised one of his pistols; but he
simply heard the sound of the bolts sliding in their copper
rings. It was only a precaution. The nocturnal visitor,
ignorant of the fact that the count had removed the staples,
might now think himself at home, and pursue his purpose with
full security. Alone and free to act as he wished, the man
then drew from his pocket something which the count could
not discern, placed it on a stand, then went straight to the
secretary, felt the lock, and contrary to his expectation
found that the key was missing. But the glass-cutter was a
prudent man who had provided for all emergencies. The count
soon heard the rattling of a bunch of skeleton keys, such as
the locksmith brings when called to force a lock, and which
thieves call nightingales, doubtless from the music of their
nightly song when they grind against the bolt. "Ah, ha,"
whispered Monte Cristo with a smile of disappointment, "he
is only a thief."

But the man in the dark could not find the right key. He
reached the instrument he had placed on the stand, touched a
spring, and immediately a pale light, just bright enough to
render objects distinct, was reflected on his hands and
countenance. "By heavens," exclaimed Monte Cristo, starting
back, "it is" --

Ali raised his hatchet. "Don't stir," whispered Monte
Cristo, "and put down your hatchet; we shall require no
arms." Then he added some words in a low tone, for the
exclamation which surprise had drawn from the count, faint
as it had been, had startled the man who remained in the
pose of the old knife-grinder. It was an order the count had
just given, for immediately Ali went noiselessly, and
returned, bearing a black dress and a three-cornered hat.
Meanwhile Monte Cristo had rapidly taken off his great-coat,
waistcoat, and shirt, and one might distinguish by the
glimmering through the open panel that he wore a pliant
tunic of steel mail, of which the last in France, where
daggers are no longer dreaded, was worn by King Louis XVI.,
who feared the dagger at his breast, and whose head was
cleft with a hatchet. The tunic soon disappeared under a
long cassock, as did his hair under a priest's wig; the
three-cornered hat over this effectually transformed the
count into an abbe.

The man, hearing nothing more, stood erect, and while Monte
Cristo was completing his disguise had advanced straight to
the secretary, whose lock was beginning to crack under his

"Try again," whispered the count, who depended on the secret
spring, which was unknown to the picklock, clever as he
might be -- "try again, you have a few minutes' work there."
And he advanced to the window. The man whom he had seen
seated on a fence had got down, and was still pacing the
street; but, strange as it appeared, he cared not for those
who might pass from the avenue of the Champs-Elysees or by
the Faubourg St. Honore; his attention was engrossed with
what was passing at the count's, and his only aim appeared
to be to discern every movement in the dressing-room.

Monte Cristo suddenly struck his finger on his forehead and
a smile passed over his lips; then drawing near to Ali, he
whispered, --

"Remain here, concealed in the dark, and whatever noise you
hear, whatever passes, only come in or show yourself if I
call you." Ali bowed in token of strict obedience. Monte
Cristo then drew a lighted taper from a closet, and when the
thief was deeply engaged with his lock, silently opened the
door, taking care that the light should shine directly on
his face. The door opened so quietly that the thief heard no
sound; but, to his astonishment, the room was suddenly
illuminated. He turned.

"Ah, good-evening, my dear M. Caderousse," said Monte
Cristo; "what are you doing here, at such an hour?"

"The Abbe Busoni!" exclaimed Caderousse; and, not knowing
how this strange apparition could have entered when he had
bolted the doors, he let fall his bunch of keys, and
remained motionless and stupefied. The count placed himself
between Caderousse and the window, thus cutting off from the
thief his only chance of retreat. "The Abbe Busoni!"
repeated Caderousse, fixing his haggard gaze on the count.

"Yes, undoubtedly, the Abbe Busoni himself," replied Monte
Cristo. "And I am very glad you recognize me, dear M.
Caderousse; it proves you have a good memory, for it must be
about ten years since we last met." This calmness of Busoni,
combined with his irony and boldness, staggered Caderousse.

"The abbe, the abbe!" murmured he, clinching his fists, and
his teeth chattering.

"So you would rob the Count of Monte Cristo?" continued the
false abbe.

"Reverend sir," murmured Caderousse, seeking to regain the
window, which the count pitilessly blocked -- "reverend sir,
I don't know -- believe me -- I take my oath" --

"A pane of glass out," continued the count, "a dark lantern,
a bunch of false keys, a secretary half forced -- it is
tolerably evident" --

Caderousse was choking; he looked around for some corner to
hide in, some way of escape.

"Come, come," continued the count, "I see you are still the
same, -- an assassin."

"Reverend sir, since you know everything, you know it was
not I -- it was La Carconte; that was proved at the trial,
since I was only condemned to the galleys."

"Is your time, then, expired, since I find you in a fair way
to return there?"

"No, reverend sir; I have been liberated by some one."

"That some one has done society a great kindness."

"Ah," said Caderousse, "I had promised" --

"And you are breaking your promise!" interrupted Monte

"Alas, yes!" said Caderousse very uneasily.

"A bad relapse, that will lead you, if I mistake not, to the
Place de Greve. So much the worse, so much the worse --
diavolo, as they say in my country."

"Reverend sir, I am impelled" --

"Every criminal says the same thing."

"Poverty" --

"Pshaw!" said Busoni disdainfully; "poverty may make a man
beg, steal a loaf of bread at a baker's door, but not cause
him to open a secretary in a house supposed to be inhabited.
And when the jeweller Johannes had just paid you 40,000
francs for the diamond I had given you, and you killed him
to get the diamond and the money both, was that also

"Pardon, reverend sir," said Caderousse; "you have saved my
life once, save me again!"

"That is but poor encouragement."

"Are you alone, reverend sir, or have you there soldiers
ready to seize me?"

"I am alone," said the abbe, "and I will again have pity on
you, and will let you escape, at the risk of the fresh
miseries my weakness may lead to, if you tell me the truth."

"Ah, reverend sir," cried Caderousse, clasping his hands,
and drawing nearer to Monte Cristo, "I may indeed say you
are my deliverer!"

"You mean to say you have been freed from confinement?"

"Yes, that is true, reverend sir."

"Who was your liberator?"

"An Englishman."

"What was his name?"

"Lord Wilmore."

"I know him; I shall know if you lie."

"Ah, reverend sir, I tell you the simple truth."

"Was this Englishman protecting you?"

"No, not me, but a young Corsican, my companion."

"What was this young Corsican's name?"


"Is that his Christian name?"

"He had no other; he was a foundling."

"Then this young man escaped with you?"

"He did."

"In what way?"

"We were working at St. Mandrier, near Toulon. Do you know
St. Mandrier?"

"I do."

"In the hour of rest, between noon and one o'clock" --

"Galley-slaves having a nap after dinner! We may well pity
the poor fellows!" said the abbe.

"Nay," said Caderousse, "one can't always work -- one is not
a dog."

"So much the better for the dogs," said Monte Cristo.

"While the rest slept, then, we went away a short distance;
we severed our fetters with a file the Englishman had given
us, and swam away."

"And what is become of this Benedetto?"

"I don't know."

"You ought to know."

"No, in truth; we parted at Hyeres." And, to give more
weight to his protestation, Caderousse advanced another step
towards the abbe, who remained motionless in his place, as
calm as ever, and pursuing his interrogation. "You lie,"
said the Abbe Busoni, with a tone of irresistible authority.

"Reverend sir!"

"You lie! This man is still your friend, and you, perhaps,
make use of him as your accomplice."

"Oh, reverend sir!"

"Since you left Toulon what have you lived on? Answer me!"

"On what I could get."

"You lie," repeated the abbe a third time, with a still more
imperative tone. Caderousse, terrified, looked at the count.
"You have lived on the money he has given you."

"True," said Caderousse; "Benedetto has become the son of a
great lord."

"How can he be the son of a great lord?"

"A natural son."

"And what is that great lord's name?"

"The Count of Monte Cristo, the very same in whose house we

"Benedetto the count's son?" replied Monte Cristo,
astonished in his turn.

"Well, I should think so, since the count has found him a
false father -- since the count gives him four thousand
francs a month, and leaves him 500,000 francs in his will."

"Ah, yes," said the factitious abbe, who began to
understand; "and what name does the young man bear

"Andrea Cavalcanti."

"Is it, then, that young man whom my friend the Count of
Monte Cristo has received into his house, and who is going
to marry Mademoiselle Danglars?"


"And you suffer that, you wretch -- you, who know his life
and his crime?"

"Why should I stand in a comrade's way?" said Caderousse.

"You are right; it is not you who should apprise M.
Danglars, it is I."

"Do not do so, reverend sir."

"Why not?"

"Because you would bring us to ruin."

"And you think that to save such villains as you I will
become an abettor of their plot, an accomplice in their

"Reverend sir," said Caderousse, drawing still nearer.

"I will expose all."

"To whom?"

"To M. Danglars."

"By heaven!" cried Caderousse, drawing from his waistcoat an
open knife, and striking the count in the breast, "you shall
disclose nothing, reverend sir!" To Caderousse's great
astonishment, the knife, instead of piercing the count's
breast, flew back blunted. At the same moment the count
seized with his left hand the assassin's wrist, and wrung it
with such strength that the knife fell from his stiffened
fingers, and Caderousse uttered a cry of pain. But the
count, disregarding his cry, continued to wring the bandit's
wrist, until, his arm being dislocated, he fell first on his
knees, then flat on the floor. The count then placed his
foot on his head, saying, "I know not what restrains me from
crushing thy skull, rascal."

"Ah, mercy -- mercy!" cried Caderousse. The count withdrew
his foot. "Rise!" said he. Caderousse rose.

"What a wrist you have, reverend sir!" said Caderousse.
stroking his arm, all bruised by the fleshy pincers which
had held it; "what a wrist!"

"Silence! God gives me strength to overcome a wild beast
like you; in the name of that God I act, -- remember that,
wretch, -- and to spare thee at this moment is still serving

"Oh!" said Caderousse, groaning with pain.

"Take this pen and paper, and write what I dictate."

"I don't know how to write, reverend sir."

"You lie! Take this pen, and write!" Caderousse, awed by the
superior power of the abbe, sat down and wrote: --

Sir, -- The man whom you are receiving at your house, and to
whom you intend to marry your daughter, is a felon who
escaped with me from confinement at Toulon. He was No. 59,
and I No. 58. He was called Benedetto, but he is ignorant of
his real name, having never known his parents.

"Sign it!" continued the count.

"But would you ruin me?"

"If I sought your ruin, fool, I should drag you to the first
guard-house; besides, when that note is delivered, in all
probability you will have no more to fear. Sign it, then!"

Caderousse signed it. "The address, `To monsieur the Baron
Danglars, banker, Rue de la Chaussee d'Antin.'" Caderousse
wrote the address. The abbe took the note. "Now," said he,
"that suffices -- begone!"

"Which way?"

"The way you came."

"You wish me to get out at that window?"

"You got in very well."

"Oh, you have some design against me, reverend sir."

"Idiot! what design can I have?"

"Why, then, not let me out by the door?"

"What would be the advantage of waking the porter?" --

"Ah, reverend sir, tell me, do you wish me dead?"

"I wish what God wills."

"But swear that you will not strike me as I go down."

"Cowardly fool!"

"What do you intend doing with me?"

"I ask you what can I do? I have tried to make you a happy
man, and you have turned out a murderer."

"Oh, monsieur," said Caderousse, "make one more attempt --
try me once more!"

"I will," said the count. "Listen -- you know if I may be
relied on."

"Yes," said Caderousse.

"If you arrive safely at home" --

"What have I to fear, except from you?"

"If you reach your home safely, leave Paris, leave France,
and wherever you may be, so long as you conduct yourself
well, I will send you a small annuity; for, if you return
home safely, then" --

"Then?" asked Caderousse, shuddering.

"Then I shall believe God has forgiven you, and I will
forgive you too."

"As true as I am a Christian," stammered Caderousse, "you
will make me die of fright!"

"Now begone," said the count, pointing to the window.

Caderousse, scarcely yet relying on this promise, put his
legs out of the window and stood on the ladder. "Now go
down," said the abbe, folding his arms. Understanding he had
nothing more to fear from him, Caderousse began to go down.
Then the count brought the taper to the window, that it
might be seen in the Champs-Elysees that a man was getting
out of the window while another held a light.

"What are you doing, reverend sir? Suppose a watchman should
pass?" And he blew out the light. He then descended, but it
was only when he felt his foot touch the ground that he was
satisfied of his safety.

Monte Cristo returned to his bedroom, and, glancing rapidly
from the garden to the street, he saw first Caderousse, who
after walking to the end of the garden, fixed his ladder
against the wall at a different part from where he came in.
The count then looking over into the street, saw the man who
appeared to be waiting run in the same direction, and place
himself against the angle of the wall where Caderousse would
come over. Caderousse climbed the ladder slowly, and looked
over the coping to see if the street was quiet. No one could
be seen or heard. The clock of the Invalides struck one.
Then Caderousse sat astride the coping, and drawing up his
ladder passed it over the wall; then he began to descend, or
rather to slide down by the two stanchions, which he did
with an ease which proved how accustomed he was to the
exercise. But, once started, he could not stop. In vain did
he see a man start from the shadow when he was halfway down
-- in vain did he see an arm raised as he touched the
ground. Before he could defend himself that arm struck him
so violently in the back that he let go the ladder, crying,
"Help!" A second blow struck him almost immediately in the
side, and he fell, calling, "Help, murder!" Then, as he
rolled on the ground, his adversary seized him by the hair,
and struck him a third blow in the chest. This time
Caderousse endeavored to call again, but he could only utter
a groan, and he shuddered as the blood flowed from his three
wounds. The assassin, finding that he no longer cried out,
lifted his head up by the hair; his eyes were closed, and
the mouth was distorted. The murderer, supposing him dead,
let fall his head and disappeared. Then Caderousse, feeling
that he was leaving him, raised himself on his elbow, and
with a dying voice cried with great effort, "Murder! I am
dying! Help, reverend sir, -- help!"

This mournful appeal pierced the darkness. The door of the
back-staircase opened, then the side-gate of the garden, and
Ali and his master were on the spot with lights.

© Art Branch Inc. | English Dictionary