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The Count of Monte Cristo - The Cemetery of the Chateau D'If.

1. Marseilles -- The Arrival.

2. Father and Son.

3. The Catalans.

4. Conspiracy.

5. The Marriage-Feast.

6. The Deputy Procureur du Roi.

7. The Examination.

8. The Chateau D'If.

9. The Evening of the Betrothal.

10. The King's Closet at the Tuileries.

11. The Corsican Ogre.

12. Father and Son.

13. The Hundred Days.

14. The Two Prisoners.

15. Number 34 and Number 27.

16. A Learned Italian.

17. The Abbe's Chamber.

18. The Treasure.

19. The Third Attack.

20. The Cemetery of the Chateau D'If.

21. The Island of Tiboulen.

22. The Smugglers.

23. The Island of Monte Cristo.

24. The Secret Cave.

25. The Unknown.

26. The Pont du Gard Inn.

27. The Story.

28. The Prison Register.

29. The House of Morrel & Son.

30. The Fifth of September.

31. Italy: Sinbad the Sailor.

32. The Waking.

33. Roman Bandits.

34. The Colosseum.

35. La Mazzolata.

36. The Carnival at Rome.

37. The Catacombs of Saint Sebastian.

38. The Compact.

39. The Guests.

40. The Breakfast.

41. The Presentation.

42. Monsieur Bertuccio.

43. The House at Auteuil.

44. The Vendetta.

45. The Rain of Blood.

46. Unlimited Credit.

47. The Dappled Grays.

48. Ideology.

49. Haidee.

50. The Morrel Family.

51. Pyramus and Thisbe.

52. Toxicology.

53. Robert le Diable.

54. A Flurry in Stocks.

55. Major Cavalcanti.

56. Andrea Cavalcanti.

57. In the Lucerne Patch.

58. M. Noirtier de Villefort.

59. The Will.

60. The Telegraph.

61. How a Gardener may get rid of the Dormice that eat His Peaches

62. Ghosts.

63. The Dinner.

64. The Beggar.

65. A Conjugal Scene.

66. Matrimonial Projects.

67. At the Office of the King's Attorney.

68. A Summer Ball.

69. The Inquiry.

70. The Ball.

71. Bread and Salt.

72. Madame de Saint-Meran.

73. The Promise.

74. The Villefort Family Vault.

75. A Signed Statement.

76. Progress of Cavalcanti the Younger.

77. Haidee.

78. We hear From Yanina.

79. The Lemonade.

80. The Accusation.

81. The Room of the Retired Baker.

82. The Burglary.

83. The Hand of God.

84. Beauchamp.

85. The Journey.

86. The Trial.

87. The Challenge.

88. The Insult.

89. A Nocturnal Interview.

90. The Meeting.

91. Mother and Son.

92. The Suicide.

93. Valentine.

94. Maximilian's Avowal.

95. Father and Daughter.

96. The Contract.

97. The Departure for Belgium.

98. The Bell and Bottle Tavern.

99. The Law.

100. The Apparition.

101. Locusta.

102. Valentine.

103. Maximilian.

104. Danglars Signature.

105. The Cemetery of Pere-la-Chaise.

106. Dividing the Proceeds.

107. The Lions' Den.

108. The Judge.

109. The Assizes.

110. The Indictment.

111. Expiation.

112. The Departure.

113. The Past.

114. Peppino.

115. Luigi Vampa's Bill of Fare.

116. The Pardon.

117. The Fifth of October.







On the bed, at full length, and faintly illuminated by the
pale light that came from the window, lay a sack of canvas,
and under its rude folds was stretched a long and stiffened
form; it was Faria's last winding-sheet, -- a winding-sheet
which, as the turnkey said, cost so little. Everything was
in readiness. A barrier had been placed between Dantes and
his old friend. No longer could Edmond look into those
wide-open eyes which had seemed to be penetrating the
mysteries of death; no longer could he clasp the hand which
had done so much to make his existence blessed. Faria, the
beneficent and cheerful companion, with whom he was
accustomed to live so intimately, no longer breathed. He
seated himself on the edge of that terrible bed, and fell
into melancholy and gloomy revery.

Alone -- he was alone again -- again condemned to silence --
again face to face with nothingness! Alone! -- never again
to see the face, never again to hear the voice of the only
human being who united him to earth! Was not Faria's fate
the better, after all -- to solve the problem of life at its
source, even at the risk of horrible suffering? The idea of
suicide, which his friend had driven away and kept away by
his cheerful presence, now hovered like a phantom over the
abbe's dead body.

"If I could die," he said, "I should go where he goes, and
should assuredly find him again. But how to die? It is very
easy," he went on with a smile; "I will remain here, rush on
the first person that opens the door, strangle him, and then
they will guillotine me." But excessive grief is like a
storm at sea, where the frail bark is tossed from the depths
to the top of the wave. Dantes recoiled from the idea of so
infamous a death, and passed suddenly from despair to an
ardent desire for life and liberty.

"Die? oh, no," he exclaimed -- "not die now, after having
lived and suffered so long and so much! Die? yes, had I died
years ago; but now to die would be, indeed, to give way to
the sarcasm of destiny. No, I want to live; I shall struggle
to the very last; I will yet win back the happiness of which
I have been deprived. Before I die I must not forget that I
have my executioners to punish, and perhaps, too, who knows,
some friends to reward. Yet they will forget me here, and I
shall die in my dungeon like Faria." As he said this, he
became silent and gazed straight before him like one
overwhelmed with a strange and amazing thought. Suddenly he
arose, lifted his hand to his brow as if his brain wore
giddy, paced twice or thrice round the dungeon, and then
paused abruptly by the bed.

"Just God!" he muttered, "whence comes this thought? Is it
from thee? Since none but the dead pass freely from this
dungeon, let me take the place of the dead!" Without giving
himself time to reconsider his decision, and, indeed, that
he might not allow his thoughts to be distracted from his
desperate resolution, he bent over the appalling shroud,
opened it with the knife which Faria had made, drew the
corpse from the sack, and bore it along the tunnel to his
own chamber, laid it on his couch, tied around its head the
rag he wore at night around his own, covered it with his
counterpane, once again kissed the ice-cold brow, and tried
vainly to close the resisting eyes, which glared horribly,
turned the head towards the wall, so that the jailer might,
when he brought the evening meal, believe that he was
asleep, as was his frequent custom; entered the tunnel
again, drew the bed against the wall, returned to the other
cell, took from the hiding-place the needle and thread,
flung off his rags, that they might feel only naked flesh
beneath the coarse canvas, and getting inside the sack,
placed himself in the posture in which the dead body had
been laid, and sewed up the mouth of the sack from the
inside.

He would have been discovered by the beating of his heart,
if by any mischance the jailers had entered at that moment.
Dantes might have waited until the evening visit was over,
but he was afraid that the governor would change his mind,
and order the dead body to be removed earlier. In that case
his last hope would have been destroyed. Now his plans were
fully made, and this is what he intended to do. If while he
was being carried out the grave-diggers should discover that
they were bearing a live instead of a dead body, Dantes did
not intend to give them time to recognize him, but with a
sudden cut of the knife, he meant to open the sack from top
to bottom, and, profiting by their alarm, escape; if they
tried to catch him, he would use his knife to better
purpose.

If they took him to the cemetery and laid him in a grave, he
would allow himself to be covered with earth, and then, as
it was night, the grave-diggers could scarcely have turned
their backs before he would have worked his way through the
yielding soil and escaped. He hoped that the weight of earth
would not be so great that he could not overcome it. If he
was detected in this and the earth proved too heavy, he
would be stifled, and then -- so much the better, all would
be over. Dantes had not eaten since the preceding evening,
but he had not thought of hunger, nor did he think of it
now. His situation was too precarious to allow him even time
to reflect on any thought but one.

The first risk that Dantes ran was, that the jailer, when he
brought him his supper at seven o'clock, might perceive the
change that had been made; fortunately, twenty times at
least, from misanthropy or fatigue, Dantes had received his
jailer in bed, and then the man placed his bread and soup on
the table, and went away without saying a word. This time
the jailer might not be as silent as usual, but speak to
Dantes, and seeing that he received no reply, go to the bed,
and thus discover all.

When seven o'clock came, Dantes' agony really began. His
hand placed upon his heart was unable to redress its
throbbings, while, with the other he wiped the perspiration
from his temples. From time to time chills ran through his
whole body, and clutched his heart in a grasp of ice. Then
he thought he was going to die. Yet the hours passed on
without any unusual disturbance, and Dantes knew that he had
escaped the first peril. It was a good augury. At length,
about the hour the governor had appointed, footsteps were
heard on the stairs. Edmond felt that the moment had
arrived, summoned up all his courage, held his breath, and
would have been happy if at the same time he could have
repressed the throbbing of his veins. The footsteps -- they
were double -- paused at the door -- and Dantes guessed that
the two grave-diggers had come to seek him -- this idea was
soon converted into certainty, when he heard the noise they
made in putting down the hand-bier. The door opened, and a
dim light reached Dantes' eyes through the coarse sack that
covered him; he saw two shadows approach his bed, a third
remaining at the door with a torch in its hand. The two men,
approaching the ends of the bed, took the sack by its
extremities.

"He's heavy though for an old and thin man," said one, as he
raised the head.

"They say every year adds half a pound to the weight of the
bones," said another, lifting the feet.

"Have you tied the knot?" inquired the first speaker.

"What would be the use of carrying so much more weight?" was
the reply, "I can do that when we get there."

"Yes, you're right," replied the companion.

"What's the knot for?" thought Dantes.

They deposited the supposed corpse on the bier. Edmond
stiffened himself in order to play the part of a dead man,
and then the party, lighted by the man with the torch, who
went first, ascended the stairs. Suddenly he felt the fresh
and sharp night air, and Dantes knew that the mistral was
blowing. It was a sensation in which pleasure and pain were
strangely mingled. The bearers went on for twenty paces,
then stopped, putting the bier down on the ground. One of
them went away, and Dantes heard his shoes striking on the
pavement.

"Where am I?" he asked himself.

"Really, he is by no means a light load!" said the other
bearer, sitting on the edge of the hand-barrow. Dantes'
first impulse was to escape, but fortunately he did not
attempt it.

"Give us a light," said the other bearer, "or I shall never
find what I am looking for." The man with the torch
complied, although not asked in the most polite terms.

"What can he be looking for?" thought Edmond. "The spade,
perhaps." An exclamation of satisfaction indicated that the
grave-digger had found the object of his search. "Here it is
at last," he said, "not without some trouble though."

"Yes," was the answer, "but it has lost nothing by waiting."

As he said this, the man came towards Edmond, who heard a
heavy metallic substance laid down beside him, and at the
same moment a cord was fastened round his feet with sudden
and painful violence.

"Well, have you tied the knot?" inquired the grave-digger,
who was looking on.

"Yes, and pretty tight too, I can tell you," was the answer.

"Move on, then." And the bier was lifted once more, and they
proceeded.

They advanced fifty paces farther, and then stopped to open
a door, then went forward again. The noise of the waves
dashing against the rocks on which the chateau is built,
reached Dantes' ear distinctly as they went forward.

"Bad weather!" observed one of the bearers; "not a pleasant
night for a dip in the sea."

"Why, yes, the abbe runs a chance of being wet," said the
other; and then there was a burst of brutal laughter. Dantes
did not comprehend the jest, but his hair stood erect on his
head.

"Well, here we are at last," said one of them. "A little
farther -- a little farther," said the other. "You know very
well that the last was stopped on his way, dashed on the
rocks, and the governor told us next day that we were
careless fellows."

They ascended five or six more steps, and then Dantes felt
that they took him, one by the head and the other by the
heels, and swung him to and fro. "One!" said the
grave-diggers, "two! three!" And at the same instant Dantes
felt himself flung into the air like a wounded bird,
falling, falling, with a rapidity that made his blood
curdle. Although drawn downwards by the heavy weight which
hastened his rapid descent, it seemed to him as if the fall
lasted for a century.

At last, with a horrible splash, he darted like an arrow
into the ice-cold water, and as he did so he uttered a
shrill cry, stifled in a moment by his immersion beneath the
waves.

Dantes had been flung into the sea, and was dragged into its
depths by a thirty-six pound shot tied to his feet. The sea
is the cemetery of the Chateau d'If.




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